{"id":30444,"date":"2018-07-18T15:35:19","date_gmt":"2018-07-18T19:35:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=30444"},"modified":"2018-07-18T16:54:45","modified_gmt":"2018-07-18T20:54:45","slug":"loose-screws-in-politics","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2018\/07\/loose-screws-in-politics.html","title":{"rendered":"Loose Screws in Politics"},"content":{"rendered":"

Mike Ferguson’s permutation poem makes a whole lot of sense.
It is also a reminder of the influence of Brion Gysin,
who set the template for permutation poems back in the 1960s.<\/center>
\n
<\/a>

By Mike Ferguson
(from IT: INTERNATIONAL TIMES, The Newspaper of Resistance<\/em><\/a>) [July 18, 2018]<\/p><\/div><\/p>\n

<\/a>

By Brion Gysin
From BRION GYSIN LET THE MICE IN<\/em> (page 51)
Something Else Press [1973]<\/p><\/div>

<\/a>

By Brion Gysin
From BRION GYSIN LET THE MICE IN<\/em> (page 53)
Something Else Press [1973]<\/p><\/div><\/p>\n

Brion Gysin Let the Mice In<\/em> includes texts by Gysin, William S. Burroughs, and Ian Sommerville. It is an expensive collector’s item these days. The German publisher Moloko Plus<\/a> has offered to bring out a facsimile edition for interested readers at an affordable price.<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"

Mike Ferguson’s permutation poem makes a whole lot of sense. It is also a reminder of the influence of Brion Gysin, who set the template for permutation poems back in the 1960s. Brion Gysin Let the Mice In includes texts by Gysin, William S. Burroughs, and Ian Sommerville. It is an expensive collector’s item these […]<\/p>\n","protected":false},"author":3,"featured_media":30448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,20,17],"tags":[],"class_list":{"0":"post-30444","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-media","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/07\/Mike-Ferguson-1-420-border.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-7V2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/30444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=30444"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/30444\/revisions"}],"predecessor-version":[{"id":30487,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/30444\/revisions\/30487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/30448"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=30444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=30444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=30444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}