{"id":29850,"date":"2018-06-12T08:37:19","date_gmt":"2018-06-12T12:37:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=29850"},"modified":"2018-06-12T08:37:19","modified_gmt":"2018-06-12T12:37:19","slug":"the-nature-of-the-beast","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2018\/06\/the-nature-of-the-beast.html","title":{"rendered":"The Nature of the Beast"},"content":{"rendered":"

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Stenciled text \u00a9 by Gerard Bellaart. (Click to enlarge.)<\/a><\/font><\/p><\/div>

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\u00a9 2018 by Jan Herman (with a debt to Virginia Woolf). (Click to enlarge.)<\/a><\/font><\/p><\/div><\/p>\n

Furthermore . . .
\u201cAs Matisse noted, black is a colour too
& in certain hands the superior one.\u201d
— Gerard Bellaart<\/em><\/center><\/p>\n

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Stenciled text \u00a9 by Gerard Bellaart. (Click to enlarge.)<\/a><\/font><\/p><\/div>

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‘Nobody’ \u00a9 2018 by Jan Herman. (Click to enlarge.)<\/a><\/font><\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Furthermore . . . \u201cAs Matisse noted, black is a colour too & in certain hands the superior one.\u201d — Gerard Bellaart<\/p>\n","protected":false},"author":3,"featured_media":30076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-29850","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/06\/nobody-recto-365.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-7Ls","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/29850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=29850"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/29850\/revisions"}],"predecessor-version":[{"id":30095,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/29850\/revisions\/30095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/30076"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=29850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=29850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=29850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}