{"id":28774,"date":"2018-03-11T14:05:35","date_gmt":"2018-03-11T18:05:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=28774"},"modified":"2018-03-15T14:53:52","modified_gmt":"2018-03-15T18:53:52","slug":"speaking-for-myself","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2018\/03\/speaking-for-myself.html","title":{"rendered":"Speaking for Myself"},"content":{"rendered":"

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Death comes in all sizes \/ — sequoia, oak, and elm \/ maple, birch, fir, and pine, \/ elephants and whales \/ bumble bees and snails, \/ the Jews in the ovens, \/
Armenians slaughtered, \/ all the genocides before \/ and since. I am also dead . . .<\/font><\/center>
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Portrait by Gerard Bellaart, 2017 (35x25cm) CLICK FOR MORE DEFORMED SONNETS<\/a><\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Death comes in all sizes \/ — sequoia, oak, and elm \/ maple, birch, fir, and pine, \/ elephants and whales \/ bumble bees and snails, \/ the Jews in the ovens, \/ Armenians slaughtered, \/ all the genocides before \/ and since. I am also dead . . .<\/p>\n","protected":false},"author":3,"featured_media":28783,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,17],"tags":[],"class_list":{"0":"post-28774","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/03\/UNBURIED-recto-620-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-7u6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/28774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=28774"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/28774\/revisions"}],"predecessor-version":[{"id":28866,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/28774\/revisions\/28866"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/28783"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=28774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=28774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=28774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}