{"id":28475,"date":"2018-02-15T06:47:39","date_gmt":"2018-02-15T11:47:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=28475"},"modified":"2018-02-15T09:30:35","modified_gmt":"2018-02-15T14:30:35","slug":"thinking-of-auden","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2018\/02\/thinking-of-auden.html","title":{"rendered":"Thinking of Auden . . ."},"content":{"rendered":"

<\/a>

Portrait of Auden \u00a9 by Felix Topolski<\/p><\/div>
\nWaves of anger and fear
\nCirculate over the bright
\nAnd darkened lands of the earth,
\nObsessing our private lives.
\n— W.H. Auden<\/em><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives. — W.H. Auden<\/p>\n","protected":false},"author":3,"featured_media":28483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-28475","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/02\/Fake-News-recto-jpeg365.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-7ph","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/28475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=28475"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/28475\/revisions"}],"predecessor-version":[{"id":28509,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/28475\/revisions\/28509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/28483"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=28475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=28475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=28475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}