{"id":27323,"date":"2017-10-02T10:05:45","date_gmt":"2017-10-02T14:05:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=27323"},"modified":"2017-10-03T08:38:04","modified_gmt":"2017-10-03T12:38:04","slug":"that-man-is-killing-everybody","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2017\/10\/that-man-is-killing-everybody.html","title":{"rendered":"&#8216;That man is killing everybody!&#8217;"},"content":{"rendered":"<p><font size=4>From &#8216;Sonnet II&#8217; in <em><strong>FOURTEEN Deformed Sonnets<\/strong><\/em>,<br \/> published by Peter Engstler Verlag [2017]:<\/font> <\/p>\n<blockquote><p>. . . The ballroom of history bumped and cried.<br \/>\n\u201cLook out! That man is killing everybody!\u201d<br \/>\nThe word SHAME crawled across the screen<br \/>\nlike broken teeth in the fist of time.<br \/>\nA wilting sun had set. The night was threadbare.<br \/>\n\u201cThis is history,\u201d someone said.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.artsjournal.com\/herman\/contact\"><img decoding=\"async\" data-attachment-id=\"27321\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2017\/10\/that-man-is-killing-everybody.html\/fourteen-deformed-sonnets-peter-engstler-verlag\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/10\/FOURTEEN-deformed-sonnets-peter-engstler-verlag-e1520188615770.jpg\" data-orig-size=\"178,290\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"FOURTEEN deformed sonnets (peter-engstler-verlag)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;A bilingual edition [2017]&lt;\/b&gt;English &amp;#8211; German&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/10\/FOURTEEN-deformed-sonnets-peter-engstler-verlag-e1520188615770.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/10\/FOURTEEN-deformed-sonnets-peter-engstler-verlag-e1520188615770.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/10\/FOURTEEN-deformed-sonnets-peter-engstler-verlag.jpg\" alt title=\"TO ORDER, Click to Contact STRAIGHT UP\" height=\"823\" class=\"aligncenter size-full wp-image-27321\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From &#8216;Sonnet II&#8217; in FOURTEEN Deformed Sonnets, published by Peter Engstler Verlag [2017]: . . . The ballroom of history bumped and cried. \u201cLook out! That man is killing everybody!\u201d The word SHAME crawled across the screen like broken teeth in the fist of time. A wilting sun had set. The night was threadbare. \u201cThis [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":27321,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,23,17],"tags":[],"class_list":{"0":"post-27323","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-main","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/10\/FOURTEEN-deformed-sonnets-peter-engstler-verlag-e1520188615770.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-76H","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/27323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=27323"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/27323\/revisions"}],"predecessor-version":[{"id":27357,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/27323\/revisions\/27357"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/27321"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=27323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=27323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=27323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}