{"id":26331,"date":"2017-08-07T10:29:16","date_gmt":"2017-08-07T14:29:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=26331"},"modified":"2017-08-09T10:29:04","modified_gmt":"2017-08-09T14:29:04","slug":"ghost-smarty-opposite-attractions","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2017\/08\/ghost-smarty-opposite-attractions.html","title":{"rendered":"&#8216;Ghost&#8217; + &#8216;Smarty&#8217; = Opposite Attractions"},"content":{"rendered":"<p><center><font size=2>Updated with new information.<\/font><\/center><br \/>\n<center>&#8220;A short video and electronic music work created in 2008, inspired by <a href=\"http:\/\/theresalduncan.typepad.com\/\">Theresa Duncan&#8217;s blog<\/a>.<br \/> It is a small tribute to her memory.&#8221; <em>&#8212; William Osborne<\/em><\/center><center><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Uf_Aj_MTQEk\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><\/p>\n<p><center><font size=6>+<\/font><\/center><\/p>\n<p><center>Theresa Duncan&#8217;s video.<\/center><center><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6k71YG4AbfU\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><\/p>\n<p><center><strong>Postscript:<\/strong> Aug. 9 &#8212; Per William Osborne&#8217;s comment, here is her best video.<center><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/98808995\" width=\"640\" height=\"485\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/98808995\">Theresa Duncan&#039;s The History of Glamour<\/a> from <a href=\"https:\/\/vimeo.com\/user4712835\">M.Duncan<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Updated with new information. &#8220;A short video and electronic music work created in 2008, inspired by Theresa Duncan&#8217;s blog. It is a small tribute to her memory.&#8221; &#8212; William Osborne + Theresa Duncan&#8217;s video. Postscript: Aug. 9 &#8212; Per William Osborne&#8217;s comment, here is her best video. Theresa Duncan&#039;s The History of Glamour from M.Duncan [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,20,22,17],"tags":[],"class_list":{"0":"post-26331","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-main","8":"category-media","9":"category-music","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6QH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/26331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=26331"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/26331\/revisions"}],"predecessor-version":[{"id":26771,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/26331\/revisions\/26771"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=26331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=26331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=26331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}