{"id":26315,"date":"2017-06-28T12:43:15","date_gmt":"2017-06-28T16:43:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=26315"},"modified":"2017-06-28T12:43:15","modified_gmt":"2017-06-28T16:43:15","slug":"music-theater-where-truth-can-appear","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2017\/06\/music-theater-where-truth-can-appear.html","title":{"rendered":"Music Theater Where Truth Can Appear"},"content":{"rendered":"<p>The last time we looked it was a <a href=\"http:\/\/www.artsjournal.com\/herman\/2016\/06\/a-music-theater-work-in-progress.html\">work in progress<\/a>. That was a year ago. William Osborne and Abbie Conant had been working on it for so long, Osborne said at the time, that it felt like &#8220;forever.&#8221; But now their music theater chamber piece is about to get its world premiere. The name of the piece, &#8220;Aletheia,&#8221; comes from the ancient Greeks, who &#8220;had several words for truth,&#8221; he pointed out. &#8220;&#8216;Aletheia&#8217; is one and means creating a space where truth can appear.&#8221; Conant is to perform the work on Friday in Southern California at the University of Redlands, which is hosting it as part of the <a href=\"http:\/\/trombonefestival.net\/2017\">46th International Trombone Festival<\/a>.<br \/>\n<center><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YL5tlFPXXqY\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The last time we looked it was a work in progress. That was a year ago. William Osborne and Abbie Conant had been working on it for so long, Osborne said at the time, that it felt like &#8220;forever.&#8221; But now their music theater chamber piece is about to get its world premiere. The name [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":22387,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,20,23,17,25],"tags":[],"class_list":{"0":"post-26315","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-media","11":"category-news","12":"category-political-culture","13":"category-theater","14":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/06\/d-alethia-365.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6Qr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/26315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=26315"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/26315\/revisions"}],"predecessor-version":[{"id":26324,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/26315\/revisions\/26324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/22387"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=26315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=26315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=26315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}