{"id":25533,"date":"2017-03-26T11:03:16","date_gmt":"2017-03-26T15:03:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=25533"},"modified":"2017-03-26T11:17:00","modified_gmt":"2017-03-26T15:17:00","slug":"squatting-at-the-bunker-in-london","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2017\/03\/squatting-at-the-bunker-in-london.html","title":{"rendered":"Squatting at The Bunker in London"},"content":{"rendered":"<div id=\"attachment_25532\" style=\"width: 760px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.bunkertheatre.com\/whats-on\/home-truths\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-25532\" data-attachment-id=\"25532\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2017\/03\/squatting-at-the-bunker-in-london.html\/home-truths-the-bunker-designed-4-750\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/03\/Home-Truths-The-Bunker-designed-4-750.jpg\" data-orig-size=\"750,278\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Home Truths (The Bunker) designed-4 (750)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8216;Home Truths: An Incomplete History of Housing Told in Nine Plays&amp;#8217; runs from April 17 through May 13.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/03\/Home-Truths-The-Bunker-designed-4-750-300x111.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/03\/Home-Truths-The-Bunker-designed-4-750.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/03\/Home-Truths-The-Bunker-designed-4-750.jpg\" alt title=\"CLICK FOR TIX: &#039;Home Truths: An Incomplete History of Housing Told in Nine Plays&#039; runs from April 17 through May 13.\" width=\"750\" height=\"278\" class=\"size-full wp-image-25532\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/03\/Home-Truths-The-Bunker-designed-4-750.jpg 750w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/03\/Home-Truths-The-Bunker-designed-4-750-300x111.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><p id=\"caption-attachment-25532\" class=\"wp-caption-text\">&#8216;Home Truths: An Incomplete History of Housing Told in Nine Plays.&#8217; The play cycle runs from April 17 through May 13.<\/p><\/div>\n<p><center><strong><font size=4>Cycle One<\/strong><\/font> (previews begin April 17)<br \/>\n&#8216;Slummers&#8217; by Sonal Bhattacharyya<br \/>\n&#8216;The Ruff Tuff Cream Puff Estate Agency&#8217; by Heathcote Williams with Sarah Woods<br \/>\n&#8216;Back to Back to Back&#8217; by Stef Smith <\/p>\n<p><strong><font size=4>Cycle Two<\/strong><\/font> (previews begin April 18)<br \/>\n&#8216;The Table&#8217; by Lin Coghlin<br \/>\n&#8216;Put The Schwarzes Into De-Stat&#8217; by Nessah Muthy<br \/>\n&#8216;The House With the Yellow Front Door&#8217; by Anders Lustgarten <\/p>\n<p><strong><font size=4>Cycle Three<\/strong><\/font> (previews begin April 19)<br \/>\n&#8216;Henrietta&#8217; by David Watson<br \/>\n&#8216;Nostalgia&#8217; by EV Crowe<br \/>\n&#8216;Grip&#8217; by Chris O\u2019Connell<\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cycle One (previews begin April 17) &#8216;Slummers&#8217; by Sonal Bhattacharyya &#8216;The Ruff Tuff Cream Puff Estate Agency&#8217; by Heathcote Williams with Sarah Woods &#8216;Back to Back to Back&#8217; by Stef Smith Cycle Two (previews begin April 18) &#8216;The Table&#8217; by Lin Coghlin &#8216;Put The Schwarzes Into De-Stat&#8217; by Nessah Muthy &#8216;The House With the Yellow [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":25532,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17,25],"tags":[],"class_list":{"0":"post-25533","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-political-culture","8":"category-theater","9":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2017\/03\/Home-Truths-The-Bunker-designed-4-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6DP","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/25533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=25533"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/25533\/revisions"}],"predecessor-version":[{"id":25546,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/25533\/revisions\/25546"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/25532"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=25533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=25533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=25533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}