{"id":24331,"date":"2016-11-24T07:15:44","date_gmt":"2016-11-24T12:15:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=24331"},"modified":"2016-11-24T07:17:55","modified_gmt":"2016-11-24T12:17:55","slug":"2016-giving-thanks-on-thanksgiving-day","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2016\/11\/2016-giving-thanks-on-thanksgiving-day.html","title":{"rendered":"2016: Giving Thanks on Thanksgiving Day"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/herman\/2015\/11\/redux-dear-cannibals-have-a-happy-thanksgiving.html\"><em>From William Burroughs, and Norman O. Mustill, and Heathcote Williams, and our staff of thousands<\/em><\/a> &#8230;<\/p>\n<p><center><font size=5>thanks for a Continent to despoil and poison . . .<\/font><\/center><\/p>\n<p><center><font size=4>thanks for the AMERICAN DREAM <br \/>to vulgarize and to falsify until <br \/>the bare lies shine through . . . <br \/><\/font><\/center><\/p>\n<p><center>thanks for the last and greatest <br \/>betrayal of the last and greatest <br \/>of human dreams. <\/p>\n<p><font size =2<em><strong>William S. Burroughs<\/strong><\/em><\/center><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From William Burroughs, and Norman O. Mustill, and Heathcote Williams, and our staff of thousands &#8230; thanks for a Continent to despoil and poison . . . thanks for the AMERICAN DREAM to vulgarize and to falsify until the bare lies shine through . . . thanks for the last and greatest betrayal of the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,23,17],"tags":[],"class_list":{"0":"post-24331","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"category-news","8":"category-political-culture","9":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6kr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/24331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=24331"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/24331\/revisions"}],"predecessor-version":[{"id":24340,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/24331\/revisions\/24340"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=24331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=24331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=24331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}