{"id":23803,"date":"2016-10-13T11:02:49","date_gmt":"2016-10-13T15:02:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=23803"},"modified":"2016-10-13T11:02:49","modified_gmt":"2016-10-13T15:02:49","slug":"now-that-dylan-has-been-nobelized","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2016\/10\/now-that-dylan-has-been-nobelized.html","title":{"rendered":"Now That Dylan Has Been &#8216;Nobelized&#8217;"},"content":{"rendered":"<p>&#8230; it&#8217;s worth recalling this post about <a href=\"http:\/\/www.artsjournal.com\/herman\/2015\/06\/of-poetry-and-fakery-cultural-theft-and-stolen-identity.html\">poetry, fakery, cultural theft, and stolen identity<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230; it&#8217;s worth recalling this post about poetry, fakery, cultural theft, and stolen identity.<\/p>\n","protected":false},"author":3,"featured_media":2989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[20,23,17],"tags":[],"class_list":{"0":"post-23803","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-media","8":"category-news","9":"category-political-culture","10":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2012\/11\/HeathcoteWilliams200.png","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-6bV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/23803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=23803"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/23803\/revisions"}],"predecessor-version":[{"id":23805,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/23803\/revisions\/23805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/2989"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=23803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=23803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=23803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}