{"id":22697,"date":"2016-07-01T10:24:00","date_gmt":"2016-07-01T14:24:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=22697"},"modified":"2024-12-17T17:23:59","modified_gmt":"2024-12-17T22:23:59","slug":"dubuffets-welcome-parade-on-park-ave","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2016\/07\/dubuffets-welcome-parade-on-park-ave.html","title":{"rendered":"Dubuffet&#8217;s &#8216;Welcome Parade&#8217; on Park Ave."},"content":{"rendered":"<p>I was drifting down Park Avenue last night on my way to hear <a href=\"http:\/\/acinstitute.org\/buckminster-fuller\/\">a <\/a>talk on Buckminster Fuller by Jonathon Keats, when I came across Jean Dubuffet&#8217;s huge &#8220;Welcome Parade&#8221; of &#8220;pathetic monsters.&#8221; Both the piece and the placement &#8212; the sheer incongruity on that stretch of Manhattan pavement &#8212; made me smile. But whatever the intent, it put me in the proper mood to hear all about Bucky&#8217;s nutty brilliance. Keats is the author of <a href=\"https:\/\/www.amazon.com\/You-Belong-Universe-Buckminster-Fuller\/dp\/019933823X\"><em>You Belong to the Universe<\/em><\/a>, a meditation about Fuller&#8217;s ambitious, visionary work as a frequently self-deluded &#8220;comprehensive anticipatory design scientist.&#8221;<\/p>\n<div id=\"attachment_22696\" style=\"width: 760px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/2016\/07\/dubuffets-welcome-parade-on-park-ave.html\/dubuffet-on-park-ave-750\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-22696\" data-attachment-id=\"22696\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2016\/07\/dubuffets-welcome-parade-on-park-ave.html\/dubuffet-on-park-ave-750\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/07\/dubuffet-on-park-ave-750.jpg\" data-orig-size=\"750,563\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 6 Plus&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1467312694&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;32&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Welcome Parade [1974-2008] Jean Dubuffet (click to enlarge)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean Dubuffet&amp;#8217;s &amp;#8216;Welcome Parade&amp;#8217; [1974-2008]&lt;br \/&gt;\n&lt;font size=2&gt;Polyurethane paint on epoxy (13&amp;#8242; 1&amp;#8243; x 27&amp;#8242; 3&amp;#8243; 16&amp;#8242; 8&amp;#8243; [398.8cm x 830.6 cm x 508 cm] overall installed&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/07\/dubuffet-on-park-ave-750-300x225.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/07\/dubuffet-on-park-ave-750.jpg\" class=\"size-full wp-image-22696\" title=\"Jean Dubuffet's 'Welcome Parade' [1974-2008] in front of the Seagram Building. Polyurethane paint on epoxy (13' 1&quot; x 27' 3&quot; 16' 8&quot; [398.8cm x 830.6 cm x 508 cm] overall (as installed) [photo: JH]\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/07\/dubuffet-on-park-ave-750.jpg\" alt=\"\" width=\"750\" height=\"563\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/07\/dubuffet-on-park-ave-750.jpg 750w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/07\/dubuffet-on-park-ave-750-300x225.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><p id=\"caption-attachment-22696\" class=\"wp-caption-text\">Jean Dubuffet&#8217;s &#8216;Welcome Parade&#8217; [1974-2008] in front of the Seagram Building<br \/><span style=\"font-size: small;\">Polyurethane paint on epoxy 13&#8242; 1&#8243; x 27&#8242; 3&#8243; 16&#8242; 8&#8243; (398.8cm x 830.6 cm x 508 cm) overall (as installed)<\/span><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>I was drifting down Park Avenue last night on my way to hear a talk on Buckminster Fuller by Jonathon Keats, when I came across Jean Dubuffet&#8217;s huge &#8220;Welcome Parade&#8221; of &#8220;pathetic monsters.&#8221; Both the piece and the placement &#8212; the sheer incongruity on that stretch of Manhattan pavement &#8212; made me smile. But whatever [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":22696,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,23,17],"tags":[],"class_list":{"0":"post-22697","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-news","9":"category-political-culture","10":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/07\/dubuffet-on-park-ave-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-5U5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/22697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=22697"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/22697\/revisions"}],"predecessor-version":[{"id":63708,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/22697\/revisions\/63708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/22696"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=22697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=22697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=22697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}