{"id":2167,"date":"2012-05-18T14:05:47","date_gmt":"2012-05-18T18:05:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/?p=2167"},"modified":"2013-07-28T13:55:59","modified_gmt":"2013-07-28T17:55:59","slug":"2167","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2012\/05\/2167.html","title":{"rendered":"
Edition of Death in Paris<\/em> Is Now in Print<\/center>"},"content":{"rendered":"

This is not a sales pitch. I’m only kvelling<\/em>. The printed edition is stunningly handsome, a magnificent artifact in memory of its author, the late Carl Weissner<\/a>, dear friend and co-conspirator from the ’60s. If you would like to read Death in Paris<\/em> on paper, please do. If you prefer reading it in a preview, here’s the entire book. Be my guest.<\/p>\n

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Death in Paris by Carl Weissner<\/a> | <\/a><\/div>\n<\/div>\n

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The cover is as close to realitystudio.org<\/a>‘s online original, per Carl’s intent, as will make your eyes water. The overall impact, per George Mattingly’s book design, had me pawing at the pages. I suppose I should dial down a bit, so when you get your paws on it you don’t expect Gutenberg to pop out of the covers like a pervy Jack-in-the-Box. But I just can’t help myself.<\/p>\n

(Crossposted at HuffPo)<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

This is not a sales pitch. I’m only kvelling. The printed edition is stunningly handsome, a magnificent artifact in memory of its author, the late Carl Weissner, dear friend and co-conspirator from the ’60s. If you would like to read Death in Paris on paper, please do. If you prefer reading it in a preview, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":{"0":"post-2167","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-literature","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sbvgEs-2167","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/2167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=2167"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/2167\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=2167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=2167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=2167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}