{"id":21547,"date":"2016-04-24T09:08:18","date_gmt":"2016-04-24T13:08:18","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=21547"},"modified":"2016-04-24T09:08:18","modified_gmt":"2016-04-24T13:08:18","slug":"back-to-reality-torma-on-michelangelos-art","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2016\/04\/back-to-reality-torma-on-michelangelos-art.html","title":{"rendered":"Back to Reality: Torma on Michelangelo&#8217;s  Art"},"content":{"rendered":"<p>&#8220;Colossal as his works were, he saw them still too much as garlands and sought some immoderation wherewith to botch them. He was so successful that he left everything <em>unfinished<\/em>. Never push things.&#8221;<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/04\/Torma-Observations-750.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"21546\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2016\/04\/back-to-reality-torma-on-michelangelos-art.html\/torma-observations-750\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/04\/Torma-Observations-750.jpg\" data-orig-size=\"750,565\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Julien Torma &amp;#8216;Observations&amp;#8217; [Cold Turkey Press, 2016]\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/04\/Torma-Observations-750.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/04\/Torma-Observations-750.jpg\" alt title=\"Julien Torma &#039;Observations&#039; [Cold Turkey Press, 2016]\" width=\"750\" height=\"565\" class=\"alignleft size-full wp-image-21546\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/04\/Torma-Observations-750.jpg 750w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/04\/Torma-Observations-750-300x226.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Colossal as his works were, he saw them still too much as garlands and sought some immoderation wherewith to botch them. He was so successful that he left everything unfinished. Never push things.&#8221;<\/p>\n","protected":false},"author":3,"featured_media":21556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-21547","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2016\/04\/Torma-Observations-CT-recto.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-5Bx","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/21547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=21547"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/21547\/revisions"}],"predecessor-version":[{"id":21557,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/21547\/revisions\/21557"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/21556"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=21547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=21547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=21547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}