{"id":2024,"date":"2012-01-27T21:44:05","date_gmt":"2012-01-28T02:44:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/?p=2024"},"modified":"2012-08-25T13:34:18","modified_gmt":"2012-08-25T17:34:18","slug":"codys-conversation","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2012\/01\/codys-conversation.html","title":{"rendered":"Cody&#8217;s Conversation"},"content":{"rendered":"<p><em><br \/>\n<\/em><\/p>\n<div id=\"attachment_2088\" style=\"width: 80px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.williamcodymaher.com\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2088\" data-attachment-id=\"2088\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2012\/01\/codys-conversation.html\/cody-foto-2\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2012\/06\/cody-foto.gif\" data-orig-size=\"70,70\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"William Cody\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;William Cody&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2012\/06\/cody-foto.gif\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2012\/06\/cody-foto.gif\" class=\"size-full wp-image-2088   \" title=\"Cody Mahler\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2012\/06\/cody-foto.gif\" alt=\"\" width=\"70\" height=\"70\" \/><\/a><p id=\"caption-attachment-2088\" class=\"wp-caption-text\">Cody Mahler<\/p><\/div>\n<p><em>When I asked\u00a0<a href=\"http:\/\/www.williamcodymaher.com\/\">Cody Mahler<\/a>\u00a0to write something for me\u00a0<a href=\"http:\/\/www.artsjournal.com\/herman\/2012\/01\/mannheim_transfer.html\">about the friend we both lost<\/a>, he wrote back: &#8220;I have to sit down with Carl and discuss what he would like me to say.&#8221; They must&#8217;ve had a great conversation, because this is what he wrote:<\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>I CALLED HIM MISTER MOOCH<\/strong><\/p>\n<p>Everybody knows that he is dead except me<br \/>\nWhy don&#8217;t I know it yet?<br \/>\nMaybe because we were downstairs when he went to bed<br \/>\nWe were downstairs and he went to bed because he had a sore throat<br \/>\nHe had a sore throat and he didn&#8217;t want to spread any germs<br \/>\nHe didn&#8217;t want to infect anybody<br \/>\nHe particularly didn&#8217;t want to infect Signe<br \/>\nWho had offered to bring him up some soup that night<br \/>\nWhen we had called him on the phone expecting to meet him<br \/>\nDownstairs<br \/>\nAt the gallery<br \/>\nWhere we were planning to join him in the festivities<br \/>\nNo, he said he was tired<br \/>\nI told him a couple of funny stories on the phone<br \/>\nwhich I can&#8217;t remember now<br \/>\nHe was not too tired to laugh<br \/>\nHe could laugh no matter how much it hurt<br \/>\nAnd there was nothing more he was waiting for<br \/>\nThan a chance to get a good laugh<br \/>\nA good innocent laugh<br \/>\nOr a even bitter caustic laugh at hypocrites<br \/>\nWho he shrugged off with fine chosen words<br \/>\nAs fine as the cakes and cheeses and ciders and wines<br \/>\nHe brought us<br \/>\nAnd such fine things we had for dinners that we invited him to<br \/>\nOr dining out in the &#8220;ghetto&#8221; as we called it<br \/>\nSlumming was the word we used<br \/>\nin his neck of the woods<br \/>\nI called him Mister Mooch<br \/>\nWhich by definition is a man that mooches off people<br \/>\nTakes their comforts and their food<br \/>\nIt was an intimate joke between us<br \/>\nHe was never a mooch<br \/>\nHe was our friend<br \/>\nAnd nothing can take that away<br \/>\nSigne just said I forgot something<br \/>\nWe asked Carl once<br \/>\nWhat his favorite meal in the world was<br \/>\nAnd he told us spaghetti and meatballs<br \/>\nSo one night<br \/>\nI made them<br \/>\nJust like my mother did<br \/>\nAnd he was about as happy<br \/>\nAs anybody I have ever seen!<\/p>\n<p><strong><em>&#8212; Cody Mahler<\/em><\/strong><\/p>\n<p><strong>Feb. 3 &#8212;<\/strong>\u00a0<em>Cody writes in an email message:<\/em><\/p>\n<p>Here is another scribble &#8230; I feel like poems are standing in a long line waiting &#8230; and they don&#8217;t mind the wait &#8230; they are patient &#8230; they chat among themselves &#8230; they don&#8217;t push to get ahead &#8230; some poems even go for a little walk and never come back &#8230; we find these poems sometimes staring at a river or gazing up at an old house or standing on a street they played on as a child &#8230; sometimes we leave these poems where we find them and sometimes we drag them back into line &#8230; in the end it does not matter what happens to poems &#8230; they always know what is best for them &#8230;<\/p>\n<p>Yesterday after a long forced march to the chemical company Roche through the Siberia-like cold front I returned on a tram to Carl&#8217;s neighborhood. I went to Sultan&#8217;s grill (where we had gone on a couple of occasions with Carl) &#8230; I devoured a Doner Kebab and then went next store to the Turkish bakery for a little treat &#8230; I must have looked like a homeless man. The young Turkish guy handed me a sweet and when I asked him how much, he said nothing, it costs nothing &#8230; I had to laugh. I guess in a way I was homeless. Another place or person gone that we called home. That is how it feels much of the time.<\/p>\n<p>The sun stares at the cold face of a winter day<br \/>\nlike the dead stare at the living<br \/>\nGod prays for the dead<br \/>\nwho pray for God<br \/>\nAnd the earth listens<br \/>\nAnd waits for some movement from below<br \/>\nThe toilet flushes upstairs<br \/>\nSigne is asleep on the couch<br \/>\nI read poems all day<br \/>\nTo bring back the dead<br \/>\nWho promised to meet me today<br \/>\nWith word of Carl<br \/>\nwho promised to explain to me<br \/>\nWhat happened since he died<br \/>\nWhat happened to the night<br \/>\nWe were supposed to meet<br \/>\nAnd how will I describe it<br \/>\nHow he came downstairs unexpectedly<br \/>\nAnd greeted us<br \/>\nThough he had a sore throat<br \/>\nHow he drank a glass of red wine<br \/>\nHow he lingered just a few moments<br \/>\nBefore he returned upstairs<br \/>\nTo his apartment<br \/>\nHe excused himself<br \/>\nSaid that he didn&#8217;t have much time<br \/>\nBut that he would come<br \/>\nAnd pay us a visit<br \/>\nOn evenings when we can&#8217;t face<br \/>\nWhat has happened to him<br \/>\nHe will wake us gently<br \/>\nAnd laugh at the absurdity of his death<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When I asked\u00a0Cody Mahler\u00a0to write something for me\u00a0about the friend we both lost, he wrote back: &#8220;I have to sit down with Carl and discuss what he would like me to say.&#8221; They must&#8217;ve had a great conversation, because this is what he wrote: &nbsp; I CALLED HIM MISTER MOOCH Everybody knows that he is [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":{"0":"post-2024","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-literature","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-wE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/2024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=2024"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/2024\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=2024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=2024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=2024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}