{"id":18946,"date":"2015-12-07T14:42:53","date_gmt":"2015-12-07T19:42:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=18946"},"modified":"2015-12-31T23:22:42","modified_gmt":"2016-01-01T04:22:42","slug":"rent-a-rammer-for-homeland-security","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2015\/12\/rent-a-rammer-for-homeland-security.html","title":{"rendered":"Rent a Rammer for Homeland Security"},"content":{"rendered":"

Norman O. Mustill died two years ago today<\/a>. Here are two postcard he sent his friend Kurt Wold back in the 1980s. Although only postcards, they are like all Norm’s work, as Wold says: “the manifestation of the man.” And they haven’t aged a nanosecond.
\n

<\/a>

Postcard by Norman O. Mustill (ca. 1980s)
[3.5″ x 5.5″]<\/font><\/p><\/div>

<\/a>

Postcard by Norman O. Mustill (ca. 1980s) [5″ x 7.25″]<\/font><\/p><\/div><\/p>\n

<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Norman O. Mustill died two years ago today. Here are two postcard he sent his friend Kurt Wold back in the 1980s. Although only postcards, they are like all Norm’s work, as Wold says: “the manifestation of the man.” And they haven’t aged a nanosecond.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,17],"tags":[],"class_list":{"0":"post-18946","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-political-culture","8":"entry","9":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-4VA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/18946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=18946"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/18946\/revisions"}],"predecessor-version":[{"id":19145,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/18946\/revisions\/19145"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=18946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=18946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=18946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}