{"id":17924,"date":"2015-10-11T13:39:02","date_gmt":"2015-10-11T17:39:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=17924"},"modified":"2023-04-04T21:58:03","modified_gmt":"2023-04-05T01:58:03","slug":"more-from-mustills-arizona-desert-lair","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2015\/10\/more-from-mustills-arizona-desert-lair.html","title":{"rendered":"More From Mustill’s Arizona Desert Lair"},"content":{"rendered":"

\"\"<\/a> Nearly a decade ago in the desert lair, there I am leafing through Bruce Bernard’s “Century,”<\/a> a massive volume of photos chronicling the 20th century. On the wall is a partial view of Norman O. Mustill’s huge collage, shown in full below. It’s a big one.
\n

\"Untitled<\/a>

Untitled Collage by Norman O. Mustill
(49″x 47.75″ \/ 124 cm. x 121 cm.) [ca. early- to mid-’60s]
Photo: Kurt Wold<\/em> <\/font><\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Nearly a decade ago in the desert lair, there I am leafing through Bruce Bernard’s “Century,” a massive volume of photos chronicling the 20th century. On the wall is a partial view of Norman O. Mustill’s huge collage, shown in full below. It’s a big one.<\/p>\n","protected":false},"author":3,"featured_media":17922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":{"0":"post-17924","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/10\/from-mustills-lair.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-4F6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/17924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=17924"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/17924\/revisions"}],"predecessor-version":[{"id":56542,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/17924\/revisions\/56542"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/17922"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=17924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=17924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=17924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}