{"id":1718,"date":"2009-04-14T13:37:58","date_gmt":"2009-04-14T20:37:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2009\/04\/emily_smartphones\/"},"modified":"2009-04-14T13:37:58","modified_gmt":"2009-04-14T20:37:58","slug":"emily_smartphones","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2009\/04\/emily_smartphones.html","title":{"rendered":"Emily SmartPhones"},"content":{"rendered":"<p>This is my twitter to the world<br \/>\nThat never twittered me &#8212;<br \/>\nThe inane things of daily life<br \/>\nDeserve obscurity.<br \/>\nIncessant streams of messages &#8212;<br \/>\nThey come in starts and fits &#8212;<br \/>\nWhat one&#8217;s eating, whom one&#8217;s dating &#8212;<br \/>\nA universe of twits!<br \/>\n<strong>&#8212; Leon Freilich<\/strong><br \/>\n(<a href=\"http:\/\/www.artsjournal.com\/herman\/2004\/04\/hes_our_calvin_trillin.html\">He&#8217;s our Calvin Trillin.<\/a>)<br \/>\n<strong>Postscript:<\/strong> June 15 &#8212; Looks like Emily made a bad guess &#8230; see <a href=\"http:\/\/www.thenation.com\/blogs\/notion\/443634\">&#8220;Iran&#8217;s Twitter Revolution.&#8221;<\/a> &#8220;I was also wrong about YouTube a few years ago,&#8221; she says.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is my twitter to the world That never twittered me &#8212; The inane things of daily life Deserve obscurity. Incessant streams of messages &#8212; They come in starts and fits &#8212; What one&#8217;s eating, whom one&#8217;s dating &#8212; A universe of twits! &#8212; Leon Freilich (He&#8217;s our Calvin Trillin.) Postscript: June 15 &#8212; Looks [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-1718","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-rI","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1718"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1718\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}