{"id":1707,"date":"2009-02-20T15:48:33","date_gmt":"2009-02-20T23:48:33","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2009\/02\/officer_our_fate_is_in_your_ha\/"},"modified":"2009-02-20T15:48:33","modified_gmt":"2009-02-20T23:48:33","slug":"officer_our_fate_is_in_your_ha","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2009\/02\/officer_our_fate_is_in_your_ha.html","title":{"rendered":"&#8216;Officer, Our Fate Is in Your Hands&#8217;"},"content":{"rendered":"<p>A laid-back tune for a lazy afternoon. It&#8217;s by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Fats_Waller\">Fats Waller<\/a> for a song he wrote with lyricist <a href=\"http:\/\/en.wikipedia.org\/wiki\/Andy_Razaf\">Andy Razaf<\/a>. That&#8217;s <a href=\"http:\/\/www.dickhyman.com\/\">Dick Hyman<\/a> playing.<br \/>\n<center><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/913bcEm3Tis&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><\/object><\/center><\/p>\n<p>The video was recorded by yours truly on Feb. 18, 2009, at the Living Room of Saint Peter&#8217;s Church in Manhattan (Lexington Avenue &#038; 54th Street). Hyman was appearing in a series called <a href=\"http:\/\/www.saintpeters.org\/jazz\/index.html\">Midtown Jazz at Midday<\/a>. Suggested donation? All of seven bucks. Which makes it one of the city&#8217;s sweetest music bargains. He tickled the keys for more than an hour.<\/p>\n<p>Before playing this particular tune he recounted an anecdote that belongs with it: Waller and Razaf were driving to Atlantic City, where they were going to work together on a song, when they were stopped by a traffic cop. After pleading for quite some time, Fats Waller simply said, &#8220;Well, officer, our fate is in your hands.&#8221; Makes a good song title, Hyman remarked.<br \/>\n<a href=\"http:\/\/www.huffingtonpost.com\/jan-herman\/officer-our-fate-is-in-yo_b_168691.html\"><br \/>\n(Crossposted at HuffPo)<\/a><\/p>\n<p><!--more--><br \/>\nAnd for a change of pace, Bach is feeling mighty fuguel &#8230;<br \/>\nDuring one of Waller&#8217;s recording sessions in the 1930s, when he made about 300 sides for <a href=\"http:\/\/en.wikipedia.org\/wiki\/RCA_Victor\">Victor Records<\/a>, somebody gave him the idea of doing &#8220;Bach up to me.&#8221; Which &#8220;turned into this,&#8221; Hyman remarked. &#8220;I imagine he had it written in about two-and-a-half minutes, and through the whole thing he utters asides like <em>Bach is feeling mighty fuguel this morning,<\/em> and <em>Get Bach out of the doghouse there,<\/em> and &#8212; when he gets off a bass riff &#8212;  <em>Bach must be turning over right now.<\/em> So this is an impression of &#8216;Bach Up to Me.&#8217; &#8221;<br \/>\n<center><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/anmDlhgS4JI&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><\/object><\/center><\/p>\n<p>There&#8217;s a lot more from that little concert, including Hyman&#8217;s own <a href=\"http:\/\/www.youtube.com\/watch?v=91ws46gk31Y\">&#8220;Thinking About Bix.&#8221;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A laid-back tune for a lazy afternoon. It&#8217;s by Fats Waller for a song he wrote with lyricist Andy Razaf. That&#8217;s Dick Hyman playing. The video was recorded by yours truly on Feb. 18, 2009, at the Living Room of Saint Peter&#8217;s Church in Manhattan (Lexington Avenue &#038; 54th Street). Hyman was appearing in a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-1707","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-rx","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1707"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1707\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}