{"id":16851,"date":"2015-07-20T16:09:36","date_gmt":"2015-07-20T20:09:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=16851"},"modified":"2015-07-28T12:08:52","modified_gmt":"2015-07-28T16:08:52","slug":"freedom-is-a-career-obituary-for-mike-lesser","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2015\/07\/freedom-is-a-career-obituary-for-mike-lesser.html","title":{"rendered":"\u2018Freedom Is a Career\u2019 \u2014 Obituary for Mike Lesser"},"content":{"rendered":"<p><font size=5>By Heathcote Williams<\/font><\/p>\n<p><font size=2><em>His approach to life and politics was fueled by emotion rather than the twisted logic of compliance. Finding himself born into an era when life on earth seemed daily&#8211;and increasingly&#8211;under threat, Mike Lesser&#8217;s logic was visceral. Other Angry Young Men long ago may have mellowed and somehow come to terms with a culture slouching towards self-destruction. He never did.<\/em><\/font><\/p>\n<p><div id=\"attachment_16802\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/1-photo-Nicky-Victor-1980-200.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16802\" data-attachment-id=\"16802\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/1-photo-nicky-victor-1980-200\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/1-photo-Nicky-Victor-1980-200.jpg\" data-orig-size=\"200,289\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Mike Lesser, 1980  [Photo: Nicky Victor]\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mike Lesser, 1980&lt;br \/&gt;&lt;font size=2&gt; [Photo: Nicky Victor]&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/1-photo-Nicky-Victor-1980-200.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/1-photo-Nicky-Victor-1980-200.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/1-photo-Nicky-Victor-1980-200.jpg\" alt title=\"Mike Lesser, 1980 [Photo: Nicky Victor]\" width=\"200\" height=\"289\" class=\"size-full wp-image-16802\" \/><\/a><p id=\"caption-attachment-16802\" class=\"wp-caption-text\">Mike Lesser, 1980<br \/><font size=2> [Photo: Nicky Victor]<\/font><\/p><\/div>Mike Lesser has died aged 71. He had a fiery baptism into the counterculture when arrested at the age of 16 along with the nonagenarian philosopher Bertrand Russell and others at a big sit-down protest in Whitehall mounted by the Committee of 100, the Ban the Bomb movement&#8217;s civil disobedience wing.<\/p>\n<p>The Nobel Prize winner and master logician was driven to Brixton Prison; the renegade schoolboy found himself banged up in Wormwood Scrubs.\u2028\tMike\u2019s distinction was that he was not just the youngest of the Committee of 100, but also, even more remarkably perhaps, the youngest of the \u2018Spies for Peace.\u2019 The Spies\u2019 anonymous exposure of the existence of a top secret national network of underground bunkers to keep a privileged \u00e9lite of political, military and civil administrators safe in the event of nuclear attack, while everybody above ground roasted, was the one of the biggest embarrassments suffered by the UK government in the post-War period.<\/p>\n<p><div id=\"attachment_16803\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/2-danger-200.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16803\" data-attachment-id=\"16803\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2-danger-200\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/2-danger-200.jpg\" data-orig-size=\"200,290\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Pamphlet: &amp;#8216;Danger! Official Secret! RSG-6&amp;#8217;\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;font size=2&gt;&amp;#8216;Danger! Official Secret! RSG-6&amp;#8217;&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/2-danger-200.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/2-danger-200.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/2-danger-200.jpg\" alt title=\"Pamphlet: &#039;Danger! Official Secret! RSG-6&#039;\" width=\"200\" height=\"290\" class=\"size-full wp-image-16803\" \/><\/a><p id=\"caption-attachment-16803\" class=\"wp-caption-text\"><font size=2>Pamphlet: &#8216;Danger!&#8217;<\/font><\/p><\/div>Thousands of copies of an amateurish-looking pamphlet titled &#8216;Danger! Official Secret RSG-6&#8217; were sent to the national media, and distributed along the route of the 1963 Aldermaston March. A grainy photograph of &#8216;Regional Seat of Government 6,&#8217; a bunker near Reading, featured on the cover, and was duly surrounded and scrambled over by a multitude of Aldermaston marchers.<\/p>\n<p>The pamphlet&#8217;s contents were anything but amateurish: it listed phone numbers of RSGs up and down the country and it named names. The Cabinet and security services were thrown into consternation. Though baseless, as it turned out, Soviet involvement was suspected. All the dogs were out.<\/p>\n<p>The self-styled Spies included young married couples with children, and the former washboard-player of a nationally known skiffle group. Yet the intelligence services, in all the years that followed, never succeeding in pinning charges on anyone.<\/p>\n<p>Mike Lesser slipped away to Denmark. The experience had an inevitably further radicalising effect. Nor was he ever brought to book for rumoured involvement in the springing of spy George Blake from Mike\u2019s alma mater, Wormwood Scrubs.<\/p>\n<p><div id=\"attachment_16804\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/3-portrait-of-Mike-Lesser-by-Nicola-Lane-200.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16804\" data-attachment-id=\"16804\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/3-portrait-of-mike-lesser-by-nicola-lane-200\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/3-portrait-of-Mike-Lesser-by-Nicola-Lane-200.jpg\" data-orig-size=\"200,250\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Portrait of Mike Lesser by Nicola Lane\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Portrait of Mike Lesser&lt;br \/&gt;&lt;font size=2&gt;by Nicola Lane&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/3-portrait-of-Mike-Lesser-by-Nicola-Lane-200.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/3-portrait-of-Mike-Lesser-by-Nicola-Lane-200.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/3-portrait-of-Mike-Lesser-by-Nicola-Lane-200.jpg\" alt title=\"Portrait of Mike Lesser by Nicola Lane\" width=\"200\" height=\"250\" class=\"size-full wp-image-16804\" \/><\/a><p id=\"caption-attachment-16804\" class=\"wp-caption-text\">Portrait of Mike Lesser<br \/>by Nicola Lane<\/p><\/div>While Mike was constitutionally subversive, he had a devilish luck and a nimble \u2018Scarlet Pimpernel\u2019 survival instinct due to a settled reluctance to spend any further time in jail.  <\/p>\n<p>He was short in height, blond haired, prone to volcanic displays of temper, and perpetually smoking industrial quantities of recreational drugs. Mike was easily crossed but was an obsessively loyal friend; magnanimous, cantankerous, fearless and ingeniously resourceful. His friends would say of him that he was someone to \u2018go into the trenches with.\u2019<\/p>\n<p>Mike was an extraordinarily protean mixture. An ultra-contrarian. One minute he was opening up a hippie badge shop, The Badge Boutique, in Whitfield Street whose imprint The Pirate Press, managed by Terry Chandler, was noted for churning out thousands of fake dollars which, instead of reading &#8216;In God We Trust,&#8217; read, &#8216;Is This Worth All the Murder &#038; Slaughter in Vietnam?&#8217;. <\/p>\n<p><div id=\"attachment_16805\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/4-Photo-Tony-Barnett-1967-200.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16805\" data-attachment-id=\"16805\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/4-photo-tony-barnett-1967-200\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/4-Photo-Tony-Barnett-1967-200.jpg\" data-orig-size=\"200,288\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Mike Lesser, 1967 [Photo: Tony Barnett]\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mike Lesser, 1967&lt;br \/&gt;&lt;font size=2&gt;[Photo: Tony Barnett]&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/4-Photo-Tony-Barnett-1967-200.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/4-Photo-Tony-Barnett-1967-200.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/4-Photo-Tony-Barnett-1967-200.jpg\" alt title=\"Mike Lesser, 1967 [Photo: Tony Barnett]\" width=\"200\" height=\"288\" class=\"size-full wp-image-16805\" \/><\/a><p id=\"caption-attachment-16805\" class=\"wp-caption-text\">Mike Lesser, 1967<br \/><font size=2>[Photo: Tony Barnett]<\/font><\/p><\/div><div id=\"attachment_16811\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/5-Collection-Pete-Stansill-200.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16811\" data-attachment-id=\"16811\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/5-collection-pete-stansill-200\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/5-Collection-Pete-Stansill-200.jpg\" data-orig-size=\"200,285\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo of Mike Lesser [from the Collection of Pete Stansill]\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;font size=2&gt;Collection Pete Stansill&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/5-Collection-Pete-Stansill-200.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/5-Collection-Pete-Stansill-200.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/5-Collection-Pete-Stansill-200.jpg\" alt title=\"Photo of Mike Lesser [from the Collection of Pete Stansill]\" width=\"200\" height=\"285\" class=\"size-full wp-image-16811\" \/><\/a><p id=\"caption-attachment-16811\" class=\"wp-caption-text\">\u201814 Hour Technicolour Dream\u2019<br \/><font size=2>[Collection: Pete Stansill]<\/font><\/p><\/div>The next minute Mike had become a dealer in gold bullion at which point he was almost always to be seen in a dapper suit \u2013 save for a notorious occasion at the psychedelic event known as \u2018The 14 Hour Technicolour Dream\u2019 at Alexandra Palace when he was naked.<\/p>\n<p>This was a fund-raising benefit for The International Times (IT), in April 1967, where Mike\u2019s behavior prompted the shock-horror tabloid headline: \u201cRAVING LONDON\u201d, followed by, \u201cLondon isn\u2019t swinging anymore, it\u2019s raving. At least when scenes like this can happen in the name of \u201cfreedom of expression\u201d.<\/p>\n<p>Mike had \u201cstripped naked and rolled sensually about in coloured edible jelly\u201d.<\/p>\n<p>Likewise, whilst he came from an ardently Zionist background (he\u2019d grown up with friends of his father\u2019s sitting around the kitchen table discussing methods of blowing up the House of Commons because of their belief that the British Government was taking a misguidedly pro-Arab line), Mike was a vehement critic of Israel, and, as an anarchist, set his teeth against its very existence as a State.<\/p>\n<p><div id=\"attachment_16813\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/6-IT-32-paris-poster.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16813\" data-attachment-id=\"16813\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/6-it-32-paris-poster\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/6-IT-32-paris-poster.jpg\" data-orig-size=\"200,298\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Cover: &amp;#8216;it32&amp;#8217;\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Cover: &amp;#8216;it32&amp;#8217;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/6-IT-32-paris-poster.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/6-IT-32-paris-poster.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/6-IT-32-paris-poster.jpg\" alt title=\"Special Issue: &#039;IT32&#039;\" width=\"200\" height=\"298\" class=\"size-full wp-image-16813\" \/><\/a><p id=\"caption-attachment-16813\" class=\"wp-caption-text\">IT Special Issue<\/p><\/div>Mike survived as a rentier, but, contradictory as this might seem, was nonetheless fiercely anti-capitalist; an anarcho-communist who, together with Robert Tascher, produced a special issue of International Times from Paris in May, 1968 at the time of \u2018les \u00e9v\u00e8nements.\u2019<\/p>\n<p>Mike had an impassioned relationship with IT, keeping it afloat with his own funds, editing it on occasion with the novelist Max Handley, Lyn Solomon and Chris Sanders, and then with Sid Rawle, the self-styled \u2018King of the Hippies\u2019, and it was Mike who ensured that there\u2019d be a comprehensive online IT archive by buying up every available back number, scanning them in and creating a searchable database. <\/p>\n<p>Equally important, it was Mike who was instrumental in reviving IT as an online presence with a new edition published weekly. Every Thursday sees new items posted. No money changes hands. There is no budget to speak of. Nonetheless IT manages to attract postings from all over the world: from \u2018Occupy\u2019 in New York and San Francisco to anarchist enclaves in Greece, reflecting international times.<\/p>\n<p><div id=\"attachment_16822\" style=\"width: 410px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/7-Detail-of-an-IT-editorial-meeting-400.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16822\" data-attachment-id=\"16822\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/7-detail-of-an-it-editorial-meeting-400\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/7-Detail-of-an-IT-editorial-meeting-400.jpg\" data-orig-size=\"400,223\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Detail of an IT editorial meeting featuring Mike Lesser and Lyn Solomon\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;font size=2&gt;Detail of an IT editorial meeting featuring Mike Lesser and Lyn Solomon, from a painting by Nicola Lane, 1978-9 .&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/7-Detail-of-an-IT-editorial-meeting-400-300x167.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/7-Detail-of-an-IT-editorial-meeting-400.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/7-Detail-of-an-IT-editorial-meeting-400.jpg\" alt title=\"Detail of an IT editorial meeting featuring Mike Lesser and Lyn Solomon, from a painting by Nicola Lane, 1978-9. .\" width=\"400\" height=\"223\" class=\"size-full wp-image-16822\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/7-Detail-of-an-IT-editorial-meeting-400.jpg 400w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/7-Detail-of-an-IT-editorial-meeting-400-300x167.jpg 300w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/7-Detail-of-an-IT-editorial-meeting-400-360x200.jpg 360w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-16822\" class=\"wp-caption-text\">Detail of an IT editorial meeting featuring Mike Lesser<\/br>and Lyn Solomon, from a painting by Nicola Lane, 1978-9.<\/p><\/div>IT\u2019s full name, \u2018The International Times\u2019 reputedly continued,  to Mike\u2019s delight, to irritate Rupert Murdoch. However, thanks to cunning trademark registrations (engineered by Mike), the cosmocratic and unlovable Murdoch could do nothing about  it  but  was forced  instead to accept that this particular \u2018Times\u2019 was a title that he didn\u2019t own and could never own.  \u201cAnarchy\u201d in Mike\u2019s words, \u201chad shown this nasty little control freak the door.\u201d\t<\/p>\n<p>Thanks to Mike\u2019s perseverance IT has had over a million views since its online incarnation and the fact that IT achieves a hit rate of some ten thousand views a week shows that its libertarian, anarchist vision is undimmed.<\/p>\n<p>It was a vision that for Mike had had its roots in his collaboration with Charles Radcliffe, and Chris Gray on issues of the proto-Situationist magazine, \u2018Heatwave\u2019 and also in his relationship with Terry Chandler, Mike\u2019s enduring hero, someone he\u2019d always refer to in awed tones.<\/p>\n<p>Chandler was one of the so-called \u2018Eskimos\u2019 who\u2019d attempted to board the Polaris submarine Patrick Henry on the Clyde from their kayaks in 1961, and it was Chandler who had instigated the Pirate Press dollars prank which resulted in an Old Bailey trial for forgery, prompted it was believed, by pressure from the US government and at which a trench-coated CIA man gave evidence.<\/p>\n<p>Chandler was regarded at the time by Sgt Roy Cremer, Special Branch&#8217;s self-described &#8216;anarchist &#038; Committee of 100 specialist&#8217;, as his key adversary. (This was, of course, before the arrival of the Angry Brigade and the Provisional IRA.)<\/p>\n<p><div id=\"attachment_16825\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/8-Mike-drawing-by-Nicola-200.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16825\" data-attachment-id=\"16825\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/8-mike-drawing-by-nicola-200\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/8-Mike-drawing-by-Nicola-200.jpg\" data-orig-size=\"200,282\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Mike Lesser [drawing by Nicola Lane]\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Drawing by Nicola Lane&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/8-Mike-drawing-by-Nicola-200.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/8-Mike-drawing-by-Nicola-200.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/8-Mike-drawing-by-Nicola-200.jpg\" alt title=\"Mike Lesser [line drawing by Nicola Lane]\" width=\"200\" height=\"282\" class=\"size-full wp-image-16825\" \/><\/a><p id=\"caption-attachment-16825\" class=\"wp-caption-text\">Mike Lesser<br \/><font size=2>[line drawing by Nicola Lane]<\/font><\/p><\/div>Mike was keen on calling IT the \u201cnewspaper of resistance\u201d to which poets, polemicists, artists, musicians and video vigilantes were, and of course  still are, invited to enjoy ready and often undiscriminating access. <\/p>\n<p>Some of Mike\u2019s North Kensington graffiti were featured in the recent republication of the Roger Perry book <em>The Writing on the Wall,<\/em> edited by George Stewart-Lockhart, notably Mike\u2019s own slogan, \u2018Freedom is a Career\u2019, as was his collaborative contribution, as an invigorating member of the \u2018Anarchist Spray Ballet\u2019, to the painting of a lengthy slogan on one of the walls of Buckingham Palace that runs alongside Constitution Hill. Four Ministry of Works vans were employed to erase it (unsuccessfully) the next day. <\/p>\n<p>In dramatic contrast to these mercurial and often wayward aspects of his character, Mike was also a scientist and mathematician. Mike\u2019s father Jack Lesser, a captain of industry, had run a large plastics factory called Crystalate at Tonbridge in Kent and this was not only to inform Mike\u2019s business acumen but, thanks to his work at Crystalate (developing prosthetic limbs for thalidomide children and working on injection molding), Mike became interested in developing computer programs for industrial processes and in this was greatly  encouraged by his father. <\/p>\n<p>Mike once claimed that his father \u201craised him from birth to mechanise all society&#8217;s waged labouring roles\u201d and with his gradual expertise over robotic engineering (a process now referred to as &#8220;fully automated luxury communism&#8221;), Mike\u2019s programming skills, together with his mathematical work on parallel systems and on automation, came to be in considerable demand beyond the confines of Crystalate. <\/p>\n<p>Mike\u2019s pioneering efforts are acknowledged as having speeded up the development of 3-D graphics, now commonplace on computers and mobile phones, and his original work on artificial intelligence would inform fault-tolerant learning systems. <\/p>\n<p><div id=\"attachment_16827\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/9-Andy-Wuensche-L-and-Mike-Lesser-R-at-the-launch-party-for-Cellular-Automata-in-July-1992-200.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16827\" data-attachment-id=\"16827\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/9-andy-wuensche-l-and-mike-lesser-r-at-the-launch-party-for-cellular-automata-in-july-1992-200\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/9-Andy-Wuensche-L-and-Mike-Lesser-R-at-the-launch-party-for-Cellular-Automata-in-July-1992-200.jpg\" data-orig-size=\"200,263\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Andy Wuensche (left) with Mike Lesser at the launch party for &amp;#8216;Cellular Automata&amp;#8217; (July 1992)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Andy Wuensche (left) with Mike Lesser,&lt;br \/&gt;&lt;font size=2&gt;launch party for &amp;#8216;Cellular Automata&amp;#8217; (July 1992)&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/9-Andy-Wuensche-L-and-Mike-Lesser-R-at-the-launch-party-for-Cellular-Automata-in-July-1992-200.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/9-Andy-Wuensche-L-and-Mike-Lesser-R-at-the-launch-party-for-Cellular-Automata-in-July-1992-200.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/9-Andy-Wuensche-L-and-Mike-Lesser-R-at-the-launch-party-for-Cellular-Automata-in-July-1992-200.jpg\" alt title=\"Andy Wuensche (left) and Mike Lesser at the launch party for &#039;Cellular Automata&#039; (July 1992)\" width=\"200\" height=\"263\" class=\"size-full wp-image-16827\" \/><\/a><p id=\"caption-attachment-16827\" class=\"wp-caption-text\">Andy Wuensche (left)<br \/>and Mike Lesser, 1992<\/p><\/div>Unsurprisingly, thanks to this other string to his anarchist bow, Mike\u2019s genius was head hunted. He worked on occasion for the Rutherford Appleton Lab, and in 1989-90 on supercomputers at NASA\u2019s Goddard Jet Propulsion Lab in Washington, D.C. in association with his friend Jack Corliss who discovered life in deep ocean hydrothermal vents. For fourteen years he was assistant to the Directing Professor, P. Allen, at the IERC, International Ecotechnology Research Centre at Cranfield University, and he co-authored with Professor Allen, <em>Evolutionary Theories of Economic Change<\/em> (Harwood Academic Publishers, 1991). One of his Cranfield projects was to create a complex system programme that successfully located where the cod shoals were hiding in the North Atlantic. Together with Prof Allen and Andy Wuensche, Mike also wrote  <em>The Global Dynamics Of Cellular Automata<\/em> (Santa Fe Institute, 1992). The book, which appeared in the Santa Fe Institute&#8217;s series &#8220;Studies in the Sciences of Complexity,&#8221; was  dedicated by Mike &#8220;To the Memory and achievements and the tragic end  of Alan Turing.&#8221;<\/p>\n<p>In his foreword Chris Langton compared their ideas and their novelty to Henri Poincar\u00e9&#8217;s in continuous dynamical systems. The book became a classic in the field of complex systems, and continues to have a profound impact, having revealed for the first time &#8220;basins of attraction&#8221; of discrete dynamical systems, with deep significance in many areas from physics to biology, in particular ideas of order, complexity, chaos and self-organization. The book&#8217;s direct offshoots provide a new paradigm in understanding memory in neural networks, and in genetic regulatory network dynamics.<\/p>\n<p><div id=\"attachment_16832\" style=\"width: 410px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/10-color-foto-of-mike-400.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16832\" data-attachment-id=\"16832\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/10-color-foto-of-mike-400\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/10-color-foto-of-mike-400.jpg\" data-orig-size=\"400,298\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Mike Lesser\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;xxxx&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/10-color-foto-of-mike-400-300x224.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/10-color-foto-of-mike-400.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/10-color-foto-of-mike-400.jpg\" alt title=\"Mike Lesser\" width=\"400\" height=\"298\" class=\"size-full wp-image-16832\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/10-color-foto-of-mike-400.jpg 400w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/10-color-foto-of-mike-400-300x224.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-16832\" class=\"wp-caption-text\">He showed that resistance could be fertile.<\/p><\/div>As regards Mike\u2019s impact in the field, his associate Dan Parmentier makes the dramatic claim that every iPhone that has 3-D graphics as a feature owes something to Mike Lesser\u2019s cybernetic spade-work pursued over some forty years. <\/p>\n<p>Shortly before his death Mike, together with Keith Rodway of the Trash Cannes Film Festival, was furthering plans for an online International Times Film Festival and for IT\u2019s projected 50th anniversary at the ICA in 2016. <\/p>\n<p>His approach to life and politics was fueled by emotion rather than the twisted logic of compliance. Finding himself born into an era when life on earth seemed daily&#8211;and increasingly&#8211;under threat, Mike Lesser&#8217;s logic was visceral. Other Angry Young Men long ago may have mellowed and somehow come to terms with a culture slouching towards self-destruction. Mike Lesser never did.<\/p>\n<p><div id=\"attachment_16837\" style=\"width: 410px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/11-Mike-outside-Wormwood-Scrubs-400.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16837\" data-attachment-id=\"16837\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/11-mike-outside-wormwood-scrubs-400\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/11-Mike-outside-Wormwood-Scrubs-400.jpg\" data-orig-size=\"400,265\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Mike Lesser outside Wormwood Scrubs, circa 1963 [Photo: John &amp;#8216;Hoppy&amp;#8217; Hopkins]\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mike Lesser outside Wormwood Scrubs (circa 1963)&lt;br \/&gt;&lt;font size=2&gt;[Photo: John &amp;#8216;Hoppy&amp;#8217; Hopkins]&lt;\/font&gt;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/11-Mike-outside-Wormwood-Scrubs-400-300x199.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/11-Mike-outside-Wormwood-Scrubs-400.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/11-Mike-outside-Wormwood-Scrubs-400.jpg\" alt title=\"Mike Lesser outside Wormwood Scrubs (circa 1963) [Photo: John &#039;Hoppy&#039; Hopkins]\" width=\"400\" height=\"265\" class=\"size-full wp-image-16837\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/11-Mike-outside-Wormwood-Scrubs-400.jpg 400w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/11-Mike-outside-Wormwood-Scrubs-400-300x199.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-16837\" class=\"wp-caption-text\">Mike Lesser (facing camera) outside Wormwood Scrubs,<br \/>circa 1963 <font size=2>[Photo: John &#8216;Hoppy&#8217; Hopkins]<\/font><\/p><\/div>And Mike\u2019s work remains significant. To those who query whether the \u2018Spies for Peace\u2019 publication made a useful difference: in historiographical terms alone it did so sufficiently to feature in the exhibition at the National Archive that accompanied publication of Peter Hennessy&#8217;s <em>The Secret State<\/em> (2002).  Mike\u2019s role was to expose these Cold War secret bunkers  that, according to Hennessy, \u201cencapsulated the distrust, fear and feelings of a generation\u201d.<\/p>\n<p>Despite the Freedom of Information Act, the  modern British state is as secretive as ever it was and it encroaches even more, but Mike and the rest of the \u2018Spies for Peace\u2019  showed that resistance could be fertile.<\/p>\n<p>Predictably the leadership of CND, the CP, and Labour Party, opposed the spies as not being quite respectable. \u201cAdventurists\u201d was the ritual accusation leveled at them by desk-bound \u2018activists\u2019. Nonetheless, while they may have  proved shy of exposing these RSGs, or Regional Seats of Government, because of the possible consequences, (i.e. lengthy terms of imprisonment for this breach of an official secret) the RSG acronym was quickly made to stand for: &#8220;Resistance Shall Grow&#8221;  by movement wits &#8212; the dogs barked but the caravan moved on.<\/p>\n<p><div id=\"attachment_16897\" style=\"width: 410px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/Freedom-Is-A-Career400.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16897\" data-attachment-id=\"16897\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2015\/07\/freedom-is-a-career-obituary-for-mike-lesser.html\/freedom-is-a-career400\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/Freedom-Is-A-Career400.jpg\" data-orig-size=\"400,273\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"&amp;#8216;Freedom&amp;#8217; Graffitti by Mike Lesser [Photo: Roger Perry]\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8216;Freedom&amp;#8217; Graffitti by Mike Lesser [Photo: Roger Perry]&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/Freedom-Is-A-Career400-300x205.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/Freedom-Is-A-Career400.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/Freedom-Is-A-Career400.jpg\" alt title=\"&#039;Freedom&#039; graffiti by Mike Lesser [Photo: Roger Perry]\" width=\"400\" height=\"273\" class=\"size-full wp-image-16897\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/Freedom-Is-A-Career400.jpg 400w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/Freedom-Is-A-Career400-300x205.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-16897\" class=\"wp-caption-text\">&#8216;Freedom&#8217; graffiti by Mike Lesser, ca. 1976 <font size=2>[Photo: Roger Perry]<\/font><\/p><\/div>Terry Chandler, once listed by the authorities as \u2018Most Wanted\u2019, also remembers Mike\u2019s involvement  at the same time in VND which  \u201cstarted the whole pirate radio scene &#8212; Radio Caroline etc.\u201d \u201cHe [Mike] was one of the secret group which organized VND, the Voice of Nuclear Disarmament, an illegal pirate radio station which transmitted in London in the early sixties and came online when the BBCTV closed (as it always used to) at 11pm. The BBC detector vans made great efforts to locate the ever moving transmitters, but failed to do so.\u201d<\/p>\n<p>Chandler further adds that \u201cIt might be good to mention: Mike the Plumber. (\u2018He was really happy working on a building site.\u2019) Mike the cook. Mike the fist fighter. Mike the writer who couldn\u2019t spell; and Mike\u2019s Irish roots. (\u2018His mother was Irish and he always regarded that as big an influence as his father\u2019s Jewish roots.\u2019)\u201d<\/p>\n<p>In the words of the Waterboys\u2019 song, Mike was the \u201cnearest thing to hip in this shithole and it\u2019s gone\u201d.<\/p>\n<p><em>With grateful acknowledgements to Richard Adams,  Iphgenia Baal, Elena Caldera,Terry Chandler,  Boris \u0106orovi\u0107 , Nigel Fountain,  Eve Grace, Jan Herman,  Jonangus Mackay, Nicola Lane,  Chris Osland, Claire Palmer, Dan Parmentier, Keith Rodway,  George Stewart-Lockhart, Mark Strathern, Robert Tascher,  Nicky Victor and  Andrew Wuensche. Their help was invaluable in compiling this tribute.<\/em><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/13-Michael-John-Lesser-September-28-1943-\u2013-July-1-2015-400.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"16841\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/13-michael-john-lesser-september-28-1943-july-1-2015-400\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/13-Michael-John-Lesser-September-28-1943-\u2013-July-1-2015-400.jpg\" data-orig-size=\"400,526\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Michael John Lesser (September 28, 1943  \u2013 July 1, 2015)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/13-Michael-John-Lesser-September-28-1943-\u2013-July-1-2015-400-228x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/13-Michael-John-Lesser-September-28-1943-\u2013-July-1-2015-400.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/13-Michael-John-Lesser-September-28-1943-\u2013-July-1-2015-400.jpg\" alt title=\"Michael John Lesser (September 28, 1943 \u2013 July 1, 2015)\" width=\"400\" height=\"526\" class=\"aligncenter size-full wp-image-16841\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/13-Michael-John-Lesser-September-28-1943-\u2013-July-1-2015-400.jpg 400w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/13-Michael-John-Lesser-September-28-1943-\u2013-July-1-2015-400-228x300.jpg 228w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><center>Michael John Lesser,<br \/>September 28, 1943 \u2013 July 1, 2015<\/center> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Heathcote Williams His approach to life and politics was fueled by emotion rather than the twisted logic of compliance. Finding himself born into an era when life on earth seemed daily&#8211;and increasingly&#8211;under threat, Mike Lesser&#8217;s logic was visceral. Other Angry Young Men long ago may have mellowed and somehow come to terms with a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":16832,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,20,23,17],"tags":[],"class_list":{"0":"post-16851","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-media","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/07\/10-color-foto-of-mike-400.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-4nN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/16851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=16851"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/16851\/revisions"}],"predecessor-version":[{"id":17053,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/16851\/revisions\/17053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/16832"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=16851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=16851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=16851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}