{"id":1665,"date":"2008-09-10T20:23:05","date_gmt":"2008-09-11T03:23:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2008\/09\/still_the_best_911_memorial\/"},"modified":"2008-09-10T20:23:05","modified_gmt":"2008-09-11T03:23:05","slug":"still_the_best_911_memorial","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2008\/09\/still_the_best_911_memorial.html","title":{"rendered":"Still the Best 9\/11 Memorial"},"content":{"rendered":"<p>It was up tonight &#8212; briefly. The techs must have been rehearsing.<br \/>\n<center><a href=\"http:\/\/en.wikipedia.org\/wiki\/Tribute_in_Light\" class=inline target=new\"><img decoding=\"async\" alt title=\"Tribute in Light (as seen from across the Hudson River). This is a U.S. Coast Guard photo taken in 2004 by Mike Hvozda.\" src=\"http:\/\/www.news.navy.mil\/management\/photodb\/webphoto\/web_040909-C-3948H-001.jpg\" width=375 border=0 \/><\/a><\/center><br \/>\n<strong>Postscript:<\/strong> &#8220;The twin towers of light, made up of 44 searchlights near <em>Ground Zero<\/em>, are meant to represent the fallen twin towers of the World Trade Center. Depending on weather conditions, the columns of light can be seen for at least 20 miles around the trade center complex.&#8221; &#8212; <a href=\"http:\/\/www.news.navy.mil\/view_single.asp?id=17588\">Official Website of the U.S. Navy<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was up tonight &#8212; briefly. The techs must have been rehearsing.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-1665","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-qR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1665"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1665\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}