{"id":1660,"date":"2008-08-04T09:36:21","date_gmt":"2008-08-04T16:36:21","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2008\/08\/oh_please_1\/"},"modified":"2008-08-04T09:36:21","modified_gmt":"2008-08-04T16:36:21","slug":"oh_please_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2008\/08\/oh_please_1.html","title":{"rendered":"Oh Please &#8230;"},"content":{"rendered":"<p>The Gasbag&#8217;s latest McBullshit gets a review called <a href=\"http:\/\/www.newyorker.com\/talk\/comment\/2008\/08\/11\/080811taco_talk_kolbert\">&#8220;Changing Lanes&#8221;<\/a> from Elizabeth Kolbert in this week&#8217;s New Yorker. She notes that  &#8220;he&#8217;s opted out of truth altogether.&#8221; Really. As if the hype for his so-called &#8220;straight-talking days&#8221; was ever credible in the first place.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Gasbag&#8217;s latest McBullshit gets a review called &#8220;Changing Lanes&#8221; from Elizabeth Kolbert in this week&#8217;s New Yorker. She notes that &#8220;he&#8217;s opted out of truth altogether.&#8221; Really. As if the hype for his so-called &#8220;straight-talking days&#8221; was ever credible in the first place.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-1660","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-qM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1660"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1660\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}