{"id":16469,"date":"2015-06-21T16:49:07","date_gmt":"2015-06-21T20:49:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=16469"},"modified":"2015-06-22T12:20:02","modified_gmt":"2015-06-22T16:20:02","slug":"yves-tangys-priapic-drawings-on-display-at-art-basel","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2015\/06\/yves-tangys-priapic-drawings-on-display-at-art-basel.html","title":{"rendered":"Tanguy’s Priapic Drawings (and More) at Art Basel, 2015"},"content":{"rendered":"

Spurt. Spurt.<\/center>
\n
<\/a>

Ives Tanguy drawing.
[photo: Udo Breger]<\/font><\/p><\/div>

<\/a>

Ives Tanguy drawing.
[photo: Udo Breger]<\/font><\/p><\/div><\/p>\n

And that’s not all …<\/center><\/p>\n

<\/a>

Yves Tanguy: ‘Ni Rides, Ni Vents’ [November, 1937]
oil on canvasboard (16 x 13 inches)
[photo: Udo Breger]<\/font><\/p><\/div>

<\/a>

Yves Tanguy: ‘L’ath\u00e9e ou la religieuse [1942]
oil on canvas (14 x 10.125 inches)
[photo: Udo Breger]<\/font><\/p><\/div><\/p>\n

<\/a>

Ives Tanguy: ‘La grue des sables’ [1946]
(Gouache, pen, brush & India ink) (18.625 x 12.5 inches)
[photo: Udo Breger]<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Spurt. Spurt. And that’s not all …<\/p>\n","protected":false},"author":3,"featured_media":16467,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,23],"tags":[],"class_list":{"0":"post-16469","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-news","9":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/06\/tanguy-1375-e1434902498412.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-4hD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/16469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=16469"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/16469\/revisions"}],"predecessor-version":[{"id":16518,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/16469\/revisions\/16518"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/16467"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=16469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=16469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=16469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}