{"id":1618,"date":"2007-12-22T10:32:16","date_gmt":"2007-12-22T18:32:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2007\/12\/the_year_in_roadkill\/"},"modified":"2007-12-22T10:32:16","modified_gmt":"2007-12-22T18:32:16","slug":"the_year_in_roadkill","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2007\/12\/the_year_in_roadkill.html","title":{"rendered":"The Year in Roadkill"},"content":{"rendered":"<p>Like every two-bit journalist at this time of year, I grabbed a look over my shoulder to see what was left behind. It was uglier than roadkill. The <strike>mush<\/strike> rush of the past 12 months turned my stomach. Here&#8217;s <a href=\"http:\/\/www.artsjournal.com\/herman\/archives\/2007\/10\/are_we_still_co.html\" class=inline target=new\"><strong><font color=#003399>why that is<\/strong><\/font><\/a>. Not to mention this <a  href=\"http:\/\/www.artsjournal.com\/herman\/archives\/2007\/01\/time_for_him_to.html\" class=inline target=new\"><strong><font color=#003399>shitty reminder<\/strong><\/font><\/a>. Which is where <a href=\"http:\/\/www.artsjournal.com\/herman\/archives\/2007\/05\/conscientious_o.html\" class=inline target=new\"><strong><font color=#003399>brave Olaf<\/strong><\/font><\/a> came in.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Like every two-bit journalist at this time of year, I grabbed a look over my shoulder to see what was left behind. It was uglier than roadkill. The mush rush of the past 12 months turned my stomach. Here&#8217;s shitty reminder. Which is where<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1618","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-q6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1618"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1618\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}