{"id":1569,"date":"2007-07-12T09:56:29","date_gmt":"2007-07-12T16:56:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2007\/07\/did_someone_say_gestapo\/"},"modified":"2007-07-12T09:56:29","modified_gmt":"2007-07-12T16:56:29","slug":"did_someone_say_gestapo","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2007\/07\/did_someone_say_gestapo.html","title":{"rendered":"Did Someone Say Gestapo?"},"content":{"rendered":"<p>Can&#8217;t let the week go by without noting <a href=\"http:\/\/www.thenation.com\/doc\/20070730\/hedges\" class=inline target=new\"><strong><font color=#003399>&#8220;The Other War: Iraq Vets Bear Witness&#8221;<\/strong><\/font><\/a> in <i>The Nation<\/i>, a devastating piece of eye-witness testimony described by its authors as an investigation into &#8220;alleged military misconduct&#8221; of U.S. troops in Iraq.<br \/>\nThe three words <i>alleged military misconduct<\/i> are a legalistic euphemism for the banalized horrors of the war &#8212; &#8220;indiscriminate killings&#8221; of innocent civilians, &#8220;checkpoint shootings,&#8221; night raids by stormtroopers who act like the Gestapo &#8212; all of which are detailed in firsthand accounts by veterans willing to speak up.<br \/>\nAs Spc. Garett Reppenhagen, 32, of Manitou Springs, Colorado, a cavalry scout and sniper,  points out, &#8220;It&#8217;s just the nature of the situation you&#8217;re in. That&#8217;s what&#8217;s wrong. It&#8217;s not individual atrocity. It&#8217;s the fact that the entire war is an atrocity.&#8221;<br \/>\nBut will the American public get it? Despite polls that say popular opinion has turned against the war, some observers doubt it will make much difference in the long run.<br \/>\n<a href=\"http:\/\/www.huffingtonpost.com\/jan-herman\/did-someone-say-gestapo_b_55953.html\" class=inline target=new\"><strong><font color=#003399>(Crossposted at HuffPo)<\/strong><\/font><\/a><\/p>\n<p><!--more--><br \/>\nConsider what mi amigo <a href=\"http:\/\/www.osborne-conant.org\/music-war.htm\" class=inline target=new\"><strong><font color=#003399>William Osborne wrote<\/strong><\/font><\/a> before the invasion and in another context: America seems to regard its victims as &#8220;little more than nameless bystanders, shadows without identity in a netherworld of &#8216;collateral damage.'&#8221;<\/p>\n<blockquote><p>[They are] brown-skinned shadows whose violent demise need not touch the American realm, even if their deaths were caused or abetted by the U.S. government. In short, it&#8217;s just massive suffering and death in a remote world, something like images of video games beamed from the ethers.<\/p><\/blockquote>\n<p>Today, speaking of the war, he dismisses all <a href=\"http:\/\/www.nytimes.com\/2007\/07\/12\/world\/middleeast\/12cnd-surge.html?_r=1&#038;oref=slogin\" class=inline target=new\"><strong><font color=#003399>talk of an American withdrawal<\/strong><\/font><\/a> as nothing but smoke and mirrors.<\/p>\n<blockquote><p>Everything is going exactly to plan &#8212; the civil war, the destruction of Iraq, the strategic &#8216;retreat&#8217; into bases, and a gradual genocide, both physical and cultural, against the\u00a0Sunnis (and, in a way, against all Iraqis).\u00a0<br \/>\nThe Americans will back into their bases and wait out the genocidal civil war. It&#8217;s been U.S. strategy\u00a0in Iraq all along. How clever to hide it behind the facade that we &#8216;lost&#8217; the war, or are withdrawing in failure.<br \/>\nThe theater even includes putting Hillary in office to make the presumed de-escalation and partial withdrawal appear to be democratic &#8212; once we have sown the seeds of death.<br \/>\nAnd now that it is all done, we will, of course, shed a crocodile tear or two, including suitable articles in <i>The Nation<\/i> and <i>The New York Times<\/i>.<\/p><\/blockquote>\n<p>Or as that now-forgotten prevaricator Rummy Boy would say, &#8220;By golly!&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Can&#8217;t let the week go by without noting (Crossposted at HuffPo)<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1569","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-pj","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1569"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1569\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}