{"id":1552,"date":"2007-04-16T17:27:44","date_gmt":"2007-04-17T00:27:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2007\/04\/its_all_in_the_clicks\/"},"modified":"2007-04-16T17:27:44","modified_gmt":"2007-04-17T00:27:44","slug":"its_all_in_the_clicks","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2007\/04\/its_all_in_the_clicks.html","title":{"rendered":"It&#8217;s All in the Clicks"},"content":{"rendered":"<p><a href=\"http:\/\/www.irs.gov\/pub\/irs-pdf\/f1040.pdf?portlet=3\" class=inline target=new\"><img decoding=\"async\" alt title=\"The official IRS logo\" src=\"http:\/\/www.artsjournal.com\/herman\/irslogo.gif\" width=200 align=right border=0 \/><\/a>Be a good citizen and don&#8217;t forget: The deadline nears for <a href=\"http:\/\/www.irs.gov\/pub\/irs-pdf\/f1040.pdf?portlet=3\" class=inline target=new\"><strong><font color=#003399>&#8220;la machina de guerra,&#8221;<\/strong><\/font><\/a> as a friend puts it. This is <a href=\"http:\/\/www.artsjournal.com\/herman\/archives\/2006\/12\/and_still_count.html\" class=inline target=new\"><strong><font color=#003399>what he means<\/strong><\/font><\/a>, of course.<br \/>\nAnother essential click is this equation from James Fallows: <a href=\"http:\/\/www.huffingtonpost.com\/jim-fallows\/wolfowitz-swaggart-cha_b_45968.html\" class=inline target=new\"><strong><font color=#003399>Wolfowitz = Swaggart, chap. 1<\/strong><\/font><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;la machina de guerra,&#8221; as a friend puts it. This is Wolfowitz = Swaggart, chap. 1.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1552","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-p2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1552"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1552\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}