{"id":1502,"date":"2006-12-04T10:18:39","date_gmt":"2006-12-04T18:18:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2006\/12\/old_leaks\/"},"modified":"2006-12-04T10:18:39","modified_gmt":"2006-12-04T18:18:39","slug":"old_leaks","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2006\/12\/old_leaks.html","title":{"rendered":"Old Leaks"},"content":{"rendered":"<p><a href=\"http:\/\/www.bu.edu\/partisanreview\/\" class=inline target=new\"><img alt title=\"Partisan Review #2, 2003 \" SRC=\"http:\/\/www.bu.edu\/partisanreview\/graphics\/PR-2-2003.jpg\" width=130 align=right border=0 \/><\/a>The editor of Partisan Review, <a href=\"http:\/\/www.bu.edu\/partisanreview\/\" class=inline target=new\"><strong><font color=#003399>William Phillips<\/strong><\/font><\/a>, asked me to review Daniel Odier&#8217;s <a href=\"http:\/\/www.amazon.com\/Job-Interviews-William-S-Burroughs\/dp\/0140118829\/sr=1-7\/qid=1165243852\/ref=sr_1_7\/102-0100347-5967312?ie=UTF8&#038;s=books\" class=inline target=new\"><strong><font color=#003399>&#8220;The Job,&#8221;<\/strong><\/font><\/a> a book of interviews with William S. Burroughs from Grove Press. This was in 1970.<br \/>\nI wrote the piece and then thought I&#8217;d test the limits of the magazine, which had already entered its long dotage, by cutting up what I&#8217;d written and submitting the result.<br \/>\nI think Phillips was a bit dumbfounded. To his credit however, and that of the managing editor, Caroline Rand Herron, the review was published as submitted, although under the category of &#8220;Variety.&#8221;<br \/>\n<a href=\"http:\/\/www.guardian.co.uk\/comment\/story\/0,3604,795523,00.html \" class=inline target=new\"><img decoding=\"async\" alt title=\"PARTISAN REVIEW #3 1970\" src=\"http:\/\/www.artsjournal.com\/herman\/Partisan%20Review%20%233%20Cover%20130%20.jpg\" width=130 align=left border=0 \/><\/a>Why mention this now? No particular reason, except to note that the utterances that leaked out of the cut-up still seem as pertinent (dated references notwithstanding) as they did then.<br \/>\nFor example:<\/p>\n<blockquote><p>We have heard children of the Jews on the way to the ovens. What are we a rerun already? The movie industry comes cheap. We live now in the dirty stockings of Adolph. Remember Apollo 7? Didn&#8217;t (Frank) Borman coo the gideon bible? So let&#8217;s stop praying.<\/p><\/blockquote>\n<p><!--more--><br \/>\nOr this:<\/p>\n<blockquote><p>Didn&#8217;t you tune in? We saw them armed with tanks and cameras alternatively under the dead stars of Vietam. Now throw back insult tapes. Betray &#038; walk out! Joe Stalin&#8217;s Dick Nixon&#8217;s heavy camouflage alone forms that which it opposes. Namely you.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.slate.com\/id\/2081610\/\" class=inline target=new\"><img decoding=\"async\" alt title=\"from PARTISAN REVIEW #3, 1970\" src=\"http:\/\/www.artsjournal.com\/herman\/from%20PR%2C%20No.%203%2C%201970%2C%201st%20p.jpg\" width=199 align=right border=0 \/><\/a><br \/>\nOr this:<\/p>\n<blockquote><p>Have you been fooled? <i>It is only natural.<\/i> For the police, <a href=\"http:\/\/select.nytimes.com\/2006\/12\/04\/opinion\/04herbert.html\" class=inline target=new\"><strong><font color=#003399>actuality overcame theory<\/strong><\/font><\/a> to attack you. That is their fix with the Senator whose idea is not to be where you arrive.<\/p><\/blockquote>\n<p>The review began:<\/p>\n<blockquote><p> With the recent publication of <i>The Job<\/i> Burroughs writes  who do not listen. He advances against inhuman Ike who made radioactive image junk for greed, conspiring against the daily life of the masses &#8212; so the Authority habit and human smallness, whose methods were properly learned, became history with predatory intent. Can now be overthrown?<\/p><\/blockquote>\n<p>The answer, 36 years later, is: apparently not.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>William Phillips, asked me to review Daniel Odier&#8217;s Why mention this now? No particular reason, except to note that the utterances that leaked out of the cut-up still seem as pertinent (dated references notwithstanding) as they did then. For example: We have heard children of the Jews on the way to the ovens. What are [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1502","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-oe","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1502"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1502\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}