{"id":14813,"date":"2015-01-12T20:58:42","date_gmt":"2015-01-13T01:58:42","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=14813"},"modified":"2015-01-12T21:18:55","modified_gmt":"2015-01-13T02:18:55","slug":"death-in-paris-struck-prescient-note","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2015\/01\/death-in-paris-struck-prescient-note.html","title":{"rendered":"&#8216;Death in Paris&#8217; Struck Prescient Note"},"content":{"rendered":"<p>Apropos today&#8217;s <a href=\"http:\/\/www.nytimes.com\/2015\/01\/13\/us\/isis-is-cited-in-hacking-of-central-commands-twitter-feed.html?ref=world\">headline<\/a> about the hacked U.S. CENTCOM Twitter Account . . . a friend was looking over our late amigo Carl Weissner&#8217;s &#8220;Doomsday Lit&#8221; novel <em>Death in Paris.<\/em> Boy, is that title apt. Not to mention the chapter headings. How about this one?<br \/>\n<center><strong><font size=5>>im in ur base killin ur d00dz<<\/font><\/strong><\/center><\/p>\n<p>Now have a look at one of the so-called CyberCaliphate&#8217;s <a href=\"http:\/\/www.cnn.com\/2015\/01\/12\/politics\/centcom-twitter-hacked-suspended\/index.html\">taunting tweet<\/a>s on the hacked account:<\/p>\n<a href=\"http:\/\/www.cnn.com\/2015\/01\/12\/politics\/centcom-twitter-hacked-suspended\/index.html\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"14815\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2015\/01\/death-in-paris-struck-prescient-note.html\/centcom-twitter-account-hacked\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/01\/CENTCOM-Twitter-account-hacked.jpg\" data-orig-size=\"740,201\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CENTCOM Twitter account hacked\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;One of the tweets by the &amp;#8216;Cyber Caliphate&amp;#8217; on the hijacked Centcom Twitter account.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/01\/CENTCOM-Twitter-account-hacked-300x81.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/01\/CENTCOM-Twitter-account-hacked.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/01\/CENTCOM-Twitter-account-hacked.jpg\" alt title=\"One of the tweets by the &#039;CyberCaliphate&#039; on the hijacked Centcom Twitter account\" width=\"740\" height=\"201\" class=\"size-full wp-image-14815\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/01\/CENTCOM-Twitter-account-hacked.jpg 740w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2015\/01\/CENTCOM-Twitter-account-hacked-300x81.jpg 300w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/a>\n<p>Carl may be dead, but he never gets old.<\/p>\n<p>Just so you know, <em>Death in Paris<\/em> was begun in 2007 as a blog called &#8220;The Cutting Floor,&#8221; posted online on 2009 as a <a href=\"http:\/\/realitystudio.org\/publications\/death-in-paris\/\">book-length text<\/a>, published in 2012 as a <a href=\"http:\/\/www.amazon.com\/Death-Paris-Carl-Weissner\/dp\/0615631932\/ref=sr_1_1_twi_2?s=books&#038;ie=UTF8&#038;qid=1421112693&#038;sr=1-1&#038;keywords=death+in+paris+by+carl+weissner\">paperback<\/a>, and in 2014 as an <a href=\"http:\/\/www.amazon.com\/Death-Paris-Carl-Weissner-ebook\/dp\/B00KK869FW\/ref=tmm_kin_swatch_0?_encoding=UTF8&#038;sr=1-1&#038;qid=1421112693\">eBook<\/a>. It is filled with rattling black laughter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apropos today&#8217;s headline about the hacked U.S. CENTCOM Twitter Account . . . a friend was looking over our late amigo Carl Weissner&#8217;s &#8220;Doomsday Lit&#8221; novel Death in Paris. Boy, is that title apt. Not to mention the chapter headings. How about this one? >im in ur base killin ur d00dz<\/p>\n","protected":false},"author":3,"featured_media":13037,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,20,23,17],"tags":[],"class_list":{"0":"post-14813","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-media","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2014\/05\/DinPFrontcoverfromRS200-.png","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-3QV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/14813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=14813"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/14813\/revisions"}],"predecessor-version":[{"id":14849,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/14813\/revisions\/14849"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/13037"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=14813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=14813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=14813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}