{"id":1461,"date":"2006-09-04T11:50:23","date_gmt":"2006-09-04T18:50:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2006\/09\/naked\/"},"modified":"2006-09-04T11:50:23","modified_gmt":"2006-09-04T18:50:23","slug":"naked","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2006\/09\/naked.html","title":{"rendered":"NAKED"},"content":{"rendered":"<p>This week in Mexico City:<br \/>\n<center><a href=\"http:\/\/realitystudio.org\/criticism\/marshall_mcluhan.notes_on_burroughs\" class=inline target=new\"><img loading=\"lazy\" decoding=\"async\" alt=\"Thanks to RealityStudio.org\" src=\"http:\/\/www.artsjournal.com\/herman\/archives\/Burroughs%20conference.jpg\" width=\"400\" height=\"366\" \/><\/a><\/center><\/p>\n<p><!--more--><br \/>\n<strong>\u00bfQui\u00e9n es?: William S. Burroughs Revisited<\/strong><br \/>\nSeptember 4-8, 2006, UNAM, Facultad de filosof\u00eda y letras, aula de Consejo T\u00e9cnico<br \/>\n<i>Monday 9\/4<\/i><\/p>\n<blockquote><p>Session 1. <strong>William S. Burroughs in the Context of American Literature<\/strong><br \/>\nRound Table guided by <a href=\"http:\/\/www.mtsu.edu\/~english2\/Profiles\/hibbard.html\" class=inline target=new\"><strong><font color=#003399>Allen Hibbard<\/strong><\/font><\/a><\/p><\/blockquote>\n<p><i>Tuesday 9\/5<\/i><\/p>\n<blockquote><p>Session 2. <strong>William S. Burroughs and the Beat Generation<\/strong><br \/>\n<a href=\"http:\/\/www.amazon.com\/Retaking-Universe-William-Burroughs-Globalization\/dp\/0745320813\/sr=1-1\/qid=1157387354\/ref=sr_1_1\/104-5818244-2852706?ie=UTF8&#038;s=books\" class=inline target=new\"><strong><font color=#003399>Philip Walsh<\/font><\/a>:<\/strong> &#8220;Burroughs, Psychopolitics and American Counterculture&#8221;<br \/>\nSession 3. <strong>William S. Burroughs in Mexico<\/strong><br \/>\n<a href=\"http:\/\/realitystudio.org\/interviews\/rob_johnson\" class=inline target=new\"><strong><font color=#003399>Rob Johnson<\/font><\/a>:<\/strong> &#8220;Cruzar el r\u00edo:  William S. Burroughs Jumps the Puddle from Texas to Mexico&#8221;<br \/>\n<a href=\"http:\/\/realitystudio.org\/interviews\/oliver_harris\" class=inline target=new\"><strong><font color=#003399>Oliver Harris<\/font><\/a>:<\/strong> &#8220;Burroughs&#8217; Mexican Triptych: Junky, Queer, and Yage&#8221;<\/p><\/blockquote>\n<p><i>Wednesday 9\/6<\/i><\/p>\n<blockquote><p>Session 4. <strong>Overcoming the Beat: William S. Burroughs Beyond the Beat Generation<\/strong><br \/>\n<a href=\"http:\/\/provost.concordia.ca\/promotions\/as.shtml#t25\" class=inline target=new\"><strong><font color=#003399>Katharine Streip<\/font><\/a>:<\/strong> &#8220;Cut-Ups and Sampling&#8221;<br \/>\nSession 5. <strong>Virus B23: Images and Reproduction in Global Arts<\/strong><br \/>\n<a href=\"http:\/\/www.lakeforest.edu\/academics\/faculty\/dschneid\/\" class=inline target=new\"><strong><font color=#0033399>Davis Schneiderman<\/font><\/a>:<\/strong> &#8220;Pack Up Your Ermines!: Extra-illustration and Plagiary in the Burroughs Legacy&#8221;<\/p><\/blockquote>\n<p><i>Thursday 9\/7<\/i><\/p>\n<blockquote><p>Session 6. <strong>Cutting Up Knowledge: Interdisciplinary Approaches to the Work of William S. Burroughs.<\/strong><br \/>\nOliver Harris: &#8220;Cut Up or Shut Up&#8221;<br \/>\nSession 7. <strong>He is a writer<\/strong><br \/>\nAllen Hibbard: &#8220;William S. Burroughs a literary saboteur&#8221;<br \/>\n<a href=\"http:\/\/www.cadmus-editions.com\/abtcdms.html\" class=inline target=new\"><strong><font color=#003399>Jeffrey Miller<\/font><\/a>:<\/strong> &#8220;Freedom of Speech &#038; Press, A Case Study: Early Routines and the Great Naropa Poetry Wars at Cadmus Editions&#8221;<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>This week in Mexico City:<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1461","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sbvgEs-naked","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1461"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1461\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}