{"id":1442,"date":"2006-04-03T10:49:45","date_gmt":"2006-04-03T17:49:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2006\/04\/quarterback_morning\/"},"modified":"2006-04-03T10:49:45","modified_gmt":"2006-04-03T17:49:45","slug":"quarterback_morning","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2006\/04\/quarterback_morning.html","title":{"rendered":"QUARTERBACK MORNING"},"content":{"rendered":"<p>Several points to make before signing off for a while:<br \/>\n1) Dontcha just love Paul Krugman&#8217;s anti-McCain columns? &#8220;The Right&#8217;s  Man&#8221; on March 13 was tasty. &#8220;It&#8217;s time for some straight talk about John McCain,&#8221; Krugman began. &#8220;He isn&#8217;t a moderate. He&#8217;s much less of a maverick than you&#8217;d think. And he isn&#8217;t the straight talker he claims to be.&#8221; Conclusion:<\/p>\n<blockquote><p>Mr. McCain&#8217;s policy positions and Senate votes don&#8217;t just place him at the right end of America&#8217;s political spectrum; they place him in the right wing of the Republican Party.<br \/>\nAnd he isn&#8217;t a maverick, at least not when it counts. When the cameras are rolling, Mr. McCain can sometimes be seen striking a brave pose of opposition to the White House. But when it matters, when the Bush administration&#8217;s ability to do whatever it wants is at stake, Mr. McCain always toes the party line.<\/p><\/blockquote>\n<p>This morning&#8217;s, <a href=\"http:\/\/select.nytimes.com\/2006\/04\/03\/opinion\/03krugman.html?n=Top%2fOpinion%2fEditorials%20and%20Op%2dEd%2fOp%2dEd%2fColumnists%2fPaul%20Krugman\" class=inline target=new\"><strong><font color=#003399>&#8220;John and Jerry,&#8221;<\/strong><\/font><\/a> was especially delicious. It takes McCain apart for playing kissy face with religious extremist Jerry Falwell. But for the first time in as long as I can remember, I hafta disagree with Krugman, who sums up his opinion of McCain this way:<\/p>\n<blockquote><p>[H]is denunciation of Mr. Falwell and Mr. Robertson six years ago helped give him a reputation as a moderate on social issues. Now that he has made up with Mr. Falwell and endorsed South Dakota&#8217;s ban on abortion even in the case of rape or incest, only two conclusions are possible: either he isn&#8217;t a social moderate after all, or he&#8217;s a cynical political opportunist.<\/p><\/blockquote>\n<p>Uh, Paul, how about sticking to your guns: McCain isn&#8217;t a social moderate <i>in the first place, and<\/i> he&#8217;s a cynical political opportunist, which you&#8217;ve been getting at all along.<br \/>\n<a href=\"http:\/\/emptymirrorbooks.com\/thirdpage\/boothill.html\" class=inline target=new\"><img decoding=\"async\" alt=\"ABUGATE -- OPEN ALL NIGHT &#169; 2006 by Mort Subiet\" src=\"http:\/\/www.artsjournal.com\/herman\/archives\/abugate4%20260.jpg\" width=260 align=right border=0 \/><\/a>2) Noam Chomsky <a href=\"http:\/\/www.democracynow.org\/article.pl?sid=06\/04\/03\/1319200\" class=inline target=new\"><strong><font color=#003399>laid it out nicely<\/strong><\/font><\/a> this morning when he pointed out, among some other salient observations about the current state of our American democracy, what consumer advertising and U.S. election campaigns share in common: &#8220;The purpose is to delude and deceive by imagery.&#8221;<br \/>\nAh, images. That brings up issue No. 3:<\/p>\n<p><!--more--><br \/>\n3) Byron (&#8220;Barney&#8221;) Calame, the public editor of The New York Times, is so earnest about editorial transparency that he wrote half of a whole column a couple of weeks ago about <a href=\"http:\/\/www.nytimes.com\/2006\/03\/26\/opinion\/26pubed.html?pagewanted=2&#038;ei=5070&#038;en=974153b7a7e00eee&#038;ex=1144209600\" class=inline target=new\"><strong><font color=#003399>&#8220;improving openness to reader feedback&#8221;<\/strong><\/font><\/a> and how to reach Times reporters and editors by e-mail. But he still hasn&#8217;t replied to me about <a href=\"http:\/\/www.artsjournal.com\/herman\/archives\/2006\/03\/the_copycat_and_1.html\" class=inline target=new\"><strong><font color=#003399>The Copycat and the Original Cat<\/strong><\/font><\/a>.<br \/>\nI messaged Calame on March 13, alerting him to the item and expressing my dismay at &#8220;three months of stonewalling in this matter&#8221; before finally receiving an unsatisfactory reply from a Times Style Magazine editor. I got back Calame&#8217;s standard automated response that my message was received: &#8220;Everything sent to this mailbox is read by either me or my associate, Joseph Plambeck. If a further reply is appropriate, you will be hearing from us shortly.&#8221;<br \/>\nI&#8217;ve heard nothing from him shortly or longly. I guess he thinks it&#8217;s inappropriate to bring up the issue of exploitation verging on plagiarism, let alone stonewalling by the Times. Or maybe he&#8217;s just overwhelmed by a busy schedule, unlike the foreign desk and Jeffrey Gettleman, the Times reporter who recently returned to Iraq and is putting out jolting front-page features like this morning&#8217;s on <a href=\"http:\/\/www.nytimes.com\/2006\/04\/03\/world\/middleeast\/03guns.html?hp&#038;ex=1144123200&#038;en=d1e695f4cc43cac3&#038;ei=5094&#038;partner=homepage\" class=inline target=new\"><strong><font color=#003399>gun sales in Baghdad<\/strong><\/font><\/a>, which offers the real lowdown on life in the Wild East.<br \/>\nLast week I messaged the Times&#8217;s foreign desk asking about the slight difference between the print and online versions of a key paragraph in Gettleman&#8217;s Sunday story of March 26, <a href=\"http:\/\/select.nytimes.com\/gst\/abstract.html?res=F70710FC3F540C758EDDAA0894DE404482\" class=inline target=new\"><strong><font color=#003399>&#8220;Bound, Blindfolded and Dead: The Face of Revenge in Baghdad.&#8221;<\/strong><\/font><\/a><br \/>\nThis appeared in print:<\/p>\n<blockquote><p>Zalmay Khalilzad, the American ambassador, is now saying that militias are Iraq&#8217;s No. 1 security threat. But he has been careful to paint the problem in broad strokes, implying both sides are at fault.<\/p><\/blockquote>\n<p>This appeared on the Web site:<\/p>\n<blockquote><p>Zalmay Khalilzad, the American ambassador, has expressed increasing alarm about militia violence, saying it is a bigger killer than car bombs, the former No. 1 security threat. But he has been careful to paint the problem in broad strokes, implying both sides are at fault.<\/p><\/blockquote>\n<p>A minor difference, to be sure. My message went to the foreign desk on March 27, at 9:29 a.m. The foreign desk forwarded my message to Gettleman, and at 10:42 a.m. he replied:<\/p>\n<blockquote><p>hi jan.<br \/>\nglad to help.<br \/>\noften, for space reasons, we have to trim stories that run on the web at a longer length.<br \/>\nin this case, to fit additional information in, we made the decision to cut out the mention of car bombs and rewrite the sentence the way it appeared in print.<br \/>\njeffrey<\/p><\/blockquote>\n<p>Now <i>that&#8217;s<\/i> not only editorial transparency but service way above and beyond the call of duty from a war correspondent busy dodging bullets. It&#8217;s the kind you&#8217;d expect, however, from a public editor busy being earnest about transparency.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Several points to make before signing off for a while: 1) Dontcha just love Paul Krugman&#8217;s anti-McCain columns? &#8220;The Right&#8217;s Man&#8221; on March 13 was tasty. &#8220;It&#8217;s time for some straight talk about John McCain,&#8221; Krugman began. &#8220;He isn&#8217;t a moderate. He&#8217;s much less of a maverick than you&#8217;d think. And he isn&#8217;t the straight [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1442","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-ng","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1442"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1442\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}