{"id":14269,"date":"2014-11-16T12:44:00","date_gmt":"2014-11-16T17:44:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=14269"},"modified":"2014-11-16T12:44:00","modified_gmt":"2014-11-16T17:44:00","slug":"hello-the-duchess-of-malfi-or-a-dead-pussy","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2014\/11\/hello-the-duchess-of-malfi-or-a-dead-pussy.html","title":{"rendered":"&#8216;Hello!&#8217; &#8212; &#8216;The Duchess of Malfi,&#8217; or &#8216;A Dead Pussy&#8217;"},"content":{"rendered":"<p><center>Selma Hayek asks and Heathcote Williams answers.<\/center><br \/>\n<center><iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"\/\/www.youtube.com\/embed\/ODVZblltSQQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><br \/>\n<center><strong>She:<\/strong> &#8220;I had this cousin from Mexico who had two very jealous brothers.<br \/>And one day she confronted them, and she said: &#8216;Stop spying on my pussy!'&#8221;<\/center><center><strong>He:<\/strong> &#8220;I so wish I&#8217;d met you before. I could have used that line.&#8221;<\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selma Hayek asks and Heathcote Williams answers. She: &#8220;I had this cousin from Mexico who had two very jealous brothers.And one day she confronted them, and she said: &#8216;Stop spying on my pussy!&#8217;&#8221;He: &#8220;I so wish I&#8217;d met you before. I could have used that line.&#8221;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,20,25],"tags":[],"class_list":{"0":"post-14269","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-literature","7":"category-media","8":"category-theater","9":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-3I9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/14269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=14269"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/14269\/revisions"}],"predecessor-version":[{"id":14290,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/14269\/revisions\/14290"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=14269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=14269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=14269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}