{"id":1387,"date":"2006-02-16T08:53:55","date_gmt":"2006-02-16T16:53:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2006\/02\/cheney_boys_nursery_rhyme\/"},"modified":"2006-02-16T08:53:55","modified_gmt":"2006-02-16T16:53:55","slug":"cheney_boys_nursery_rhyme","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2006\/02\/cheney_boys_nursery_rhyme.html","title":{"rendered":"CHENEY BOY&#8217;S NURSERY RHYME"},"content":{"rendered":"<p>From his <a href=\"http:\/\/www.whitehouse.gov\/news\/releases\/2006\/02\/20060215-3.html\" class=inline target=new\"><strong><font color=#003399>interview<\/strong><\/font><\/a> with Brit Hume:<br \/>\nI&#8217;m the guy<br \/>\nwho pulled the trigger<br \/>\nthat fired the round that hit Harry.<br \/>\nFrom <a href=\"http:\/\/www.amherst.edu\/~rjyanco\/literature\/mothergoose\/rhymes\/thisisthehousethatjackbuilt.html\" class=inline target=new\"><strong><font color=#003399>Mother Goose<\/strong><\/font><\/a>:<br \/>\nThis is the rat,<br \/>\nThat ate the malt<br \/>\nThat lay in the house that Jack built.<br \/>\n<strong>Postscript:<\/strong> And now for the topper: <a href=\"http:\/\/www.salon.com\/news\/feature\/2006\/02\/16\/abu_ghraib\/\" class=inline target=new\"><strong><font color=#003399>Mother Abu Ghraib<\/strong><\/font><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From his Mother Goose: This is the rat, That ate the malt That lay in the house that Jack built. Postscript: And now for the topper:<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1387","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-mn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1387"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1387\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}