{"id":1378,"date":"2005-12-26T11:05:00","date_gmt":"2005-12-26T19:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/12\/two_lil_footnotes\/"},"modified":"2005-12-26T11:05:00","modified_gmt":"2005-12-26T19:05:00","slug":"two_lil_footnotes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/12\/two_lil_footnotes.html","title":{"rendered":"TWO LI&#8217;L FOOTNOTES"},"content":{"rendered":"<p>As a follow-up to <a href=\"http:\/\/www.nytimes.com\/2005\/12\/23\/opinion\/23fri1.html\" class=inline target=new\"><strong><font color=#003399>&#8220;Mr. Cheney&#8217;s Imperial Presidency,&#8221;<\/strong><\/font><\/a> the lead editorial in last Friday&#8217;s Times, may we add two li&#8217;l footnotes?<br \/>\n1) &#8220;This so-called ill treatment and torture in detention centers, stories of which were spread everywhere &#8230; were not, as some assumed, inflicted methodically, but were excesses committed by individual prison guards, their deputies, and men who laid violent hands on the detainees.&#8221;<br \/>\n&#8211;Rudolf Hoess, SS commandant, Auschwitz, quoted in <a href=\"http:\/\/www.law.umkc.edu\/faculty\/projects\/ftrials\/nuremberg\/hoesstest.html\" class=inline target=new\"><strong><font color=#003399>Testimony at Nuremberg<\/strong><\/font><\/a>, April 15, 1946<br \/>\n2) &#8220;You know, the Germans say you have a &#8216;fingertip feel&#8217; &#8212; <i>Fingerspitzengef&#252;hl<\/i> &#8212; you know how a place smells, how it feels. A strategist who doesn&#8217;t have that innate sense about the area he&#8217;s working is going to get us in trouble.&#8221;<br \/>\n&#8212; Zalmay Khalilzad, U.S. Ambassador to Iraq, quoted in <a href=\"http:\/\/www.newyorker.com\/fact\/content\/articles\/051219fa_fact2\" class=inline target=new\"><strong><font color=#003399>&#8220;American Viceroy,&#8221;<\/strong><\/font><\/a>  Dec. 19, 2005, in The New Yorker. (See <a href=\"http:\/\/www.artsjournal.com\/herman\/archives\/2005\/12\/outrage_the_11_1.html\" class=inline target=new\"><strong><font color=#003399>OUTRAGE: THE 11 O&#8217;CLOCK NUMBER<\/strong><\/font><\/a>.)<br \/>\n<i>&#8212; Tireless Staff of Thousands<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As a follow-up to Testimony at Nuremberg, April 15, 1946 2) &#8220;You know, the Germans say you have a &#8216;fingertip feel&#8217; &#8212; Fingerspitzengef&#252;hl &#8212; you know how a place smells, how it feels. A strategist who doesn&#8217;t have that innate sense about the area he&#8217;s working is going to get us in trouble.&#8221; &#8212; Zalmay [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1378","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-me","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1378"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1378\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}