{"id":1372,"date":"2006-02-07T10:20:06","date_gmt":"2006-02-07T18:20:06","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2006\/02\/one_more_ventriloquist_dummy\/"},"modified":"2006-02-07T10:20:06","modified_gmt":"2006-02-07T18:20:06","slug":"one_more_ventriloquist_dummy","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2006\/02\/one_more_ventriloquist_dummy.html","title":{"rendered":"ONE MORE VENTRILOQUIST DUMMY"},"content":{"rendered":"<p>So Cheney Boy&#8217;s ventriloquist dummy (the <a href=\"http:\/\/www.artsjournal.com\/herman\/archives\/2005\/08\/jim_holts_criti.html\" class=inline target=new\"><strong><font color=#003399>Bullshitter-in-Chief<\/strong><\/font><\/a>) has his own ventriloquist dummy (<a href=\"http:\/\/www.whitehouse.gov\/government\/gonzales-bio.html\" class=inline target=new\"><strong><font color=#003399>Alberto Gonzales<\/strong><\/font><\/a>). That&#8217;s been clear from the time Gonzales was appointed attorney general. But it was never clearer, right down to the crooked grin, than it was in <a href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2006\/02\/06\/AR2006020600195.html\" class=inline target=new\"><strong><font color=#003399>his testimony as a star witness<\/strong><\/font><\/a> for the regime&#8217;s warrantless domestic spying program.<br \/>\n<center><a href=\"http:\/\/buckfush.com\/\" class=inline target=new\"><img decoding=\"async\" alt=\"U.S. Attorney General Alberto Gonzales, aka the Bullshitter's ventriloquist dummy\" src=\"http:\/\/buckfush.com\/images\/Gonzales_Bush_Illegal_Wiretaps.jpg\" width=400 border=0\/><\/a><\/center><br \/>\nAnd as long as I&#8217;m posting today &#8212; when the regime has just released a <a href=\" http:\/\/www.nytimes.com\/2006\/02\/07\/politics\/07budget.html\" class=inline target=new\"><strong><font color=#003399> $2.77 trillion budget<\/strong><\/font><\/a> calling for &#8220;compassionate conservative&#8221; cuts in social programs like education and health care &#8212; how about this little-publicized piece of news? <a href=\"http:\/\/www.globalpolicy.org\/security\/issues\/iraq\/attack\/consequences\/2006\/0108trillion.htm\" class=inline target=new\"><strong><font color=#003399>The cost of the Iraq war could top $2 trillion.<\/strong><\/font><\/a><br \/>\nThat&#8217;s the estimate of Nobel Prize-winning economist Joseph Stiglitz, which is more than four times the expected cost of $500 billion (according to congressional budget data) through the end of 2006. It oughta give taxpayers something to think about.<br \/>\nHere&#8217;s <a href=\"http:\/\/www2.gsb.columbia.edu\/faculty\/jstiglitz\/Cost_of_War_in_Iraq.pdf\" class=inline target=new\"><strong><font color=#003399>Stiglitz&#8217;s original 36-page paper<\/strong><\/font><\/a>, co-written with Linda Bilmes, who teaches public finance at Harvard&#8217;s Kennedy School. If you don&#8217;t have time for that, here&#8217;s an op-ed piece they wrote, <a href=\"http:\/\/www.latimes.com\/news\/opinion\/commentary\/la-oe-bilmes17jan17,0,7038018.story?coll=la-news-comment-opinions\" class=inline target=new\"><strong><font color=#003399>&#8220;War&#8217;s stunning price tag,&#8221;<\/strong><\/font><\/a> which asks: &#8220;Why were the costs so vastly underestimated?&#8221;<br \/>\nGood question. But I wouldn&#8217;t expect any of the regime&#8217;s ventriloquist dummies to answer it. Would you?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So Cheney Boy&#8217;s ventriloquist dummy (the Alberto Gonzales). That&#8217;s been clear from the time Gonzales was appointed attorney general. But it was never clearer, right down to the crooked grin, than it was in And as long as I&#8217;m posting today &#8212; when the regime has just released a The cost of the Iraq war [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1372","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-m8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1372"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1372\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}