{"id":1284,"date":"2005-10-17T10:13:01","date_gmt":"2005-10-17T17:13:01","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/10\/down_with_culture_up_with_barb\/"},"modified":"2013-12-09T21:01:54","modified_gmt":"2013-12-10T02:01:54","slug":"down_with_culture_up_with_barb","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/10\/down_with_culture_up_with_barb.html","title":{"rendered":"DOWN WITH CULTURE! UP WITH BARBARISM!"},"content":{"rendered":"<p><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/0976888505\/qid=1129553505\/sr=1-1\/ref=sr_1_1\/104-2010817-7872729?v=glance&#038;s=books\" class=inline target=new\"><img decoding=\"async\" alt=\"Little Nemo in Slumberland -- So Many Splendid Sundays]\" src=\"http:\/\/images.amazon.com\/images\/P\/0976888505.01-A456KKCRI2H90._AA240_SCLZZZZZZZ_.jpg\" width=140 align=right border=0\/><\/a> Graphic novels are all the rage. Even <a href=\"http:\/\/www.nytimes.com\/2005\/10\/17\/books\/17nemo.html?8hpib\" class=inline target=new\"><strong><font color=#003399> Little Nemo&#8217;s back <\/strong><\/font><\/a> in business. Well, Norman Ogue Mustill once wrote a satirical comic strip with his Exacto blade, and it wasn&#8217;t made for Slumberland or Sundays. <\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/TwinPak-Nova-Broadcast-Press-No.-6-e1386614560473.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10396\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2005\/10\/down_with_culture_up_with_barb.html\/twinpak-nova-broadcast-press-no-6\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/TwinPak-Nova-Broadcast-Press-No.-6-e1386614560473.jpg\" data-orig-size=\"100,166\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"TwinPak [Nova Broadcast Press, No. 6]\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/TwinPak-Nova-Broadcast-Press-No.-6-180x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/TwinPak-Nova-Broadcast-Press-No.-6-e1386614560473.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/TwinPak-Nova-Broadcast-Press-No.-6-e1386614560473.jpg\" alt title=\"&#039;Twinpak&#039; by Norman O. Mustill [Nova Broadcast Press, 1969]\" width=\"100\" height=\"166\" class=\"alignleft size-full wp-image-10396\" \/><\/a>He called it &#8220;A Shockumentary,&#8221; and we published it as the second half of his pamphlet, <a href=\"http:\/\/www.bibliopolis.com\/cgi-bin\/biblio\/goldwasserbooks_19750.html?id=4Vai74qj\" class=inline target=new\"><strong><font color=#003399>Twinpak<\/strong><\/font><\/a>, the sixth in a series of <a href=\"http:\/\/www.xs4all.nl\/~nondes\/exlibris\/37.html\" class=inline target=new\"><strong><font color=#003399>Nova Broadcast pamphlets<\/strong><\/font><\/a>. The time was 1969. The place was San Francisco. The other pamphlets were by Ray Bremser, Wolf Vostell, Dick Higgins, Liam O&#8217;Gallagher, and William S. Burroughs. Anyway, Ogue was not really Mustill&#8217;s middle name. He took it as a joke &#8212; Vogue without the &#8220;V&#8221; &#8212; which tells you something about his turn of mind.<\/p>\n<p>Looking at &#8220;A Shockumentary&#8221; again today, we liked it so much we thought we&#8217;d post it. On another day we&#8217;ll post <a href=\"http:\/\/www.artsjournal.com\/herman\/2005\/10\/anthem_for_america.html\" class=inline target=new\"><strong><font color=#003399>&#8220;Song,&#8221;<\/strong><\/font><\/a> the first half of Mustill&#8217;s pamphlet. It&#8217;s a musical score with nothing remotely lyrical in it.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"Explosive, page 1 copy.JPG\" src=\"http:\/\/www.artsjournal.com\/herman\/Explosive%2C%20page%201%20copy.JPG\" width=\"371\" height=\"510\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><a href=\"http:\/\/www.artsjournal.com\/herman\/Explosive%2C%20page%202%20copy.JPG\"><img loading=\"lazy\" decoding=\"async\" alt=\"Explosive, page 2 copy.JPG\" src=\"http:\/\/www.artsjournal.com\/herman\/assets_c\/2011\/02\/Explosive, page 2 copy-thumb-420x647-19158.jpg\" width=\"371\" height=\"571\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><\/a><a href=\"http:\/\/www.artsjournal.com\/herman\/Explosive%2C%20page%203%20copy.JPG\"><img loading=\"lazy\" decoding=\"async\" alt=\"Explosive, page 3 copy.JPG\" src=\"http:\/\/www.artsjournal.com\/herman\/assets_c\/2011\/02\/Explosive, page 3 copy-thumb-420x644-19160.jpg\" width=\"371\" height=\"568\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><\/a><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Explosive-mustill-e1386617233520.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10409\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2005\/10\/down_with_culture_up_with_barb.html\/explosive-mustill\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Explosive-mustill-e1386617233520.jpg\" data-orig-size=\"371,552\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Explosive-mustill\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Explosive-mustill-201x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Explosive-mustill-e1386617233520.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Explosive-mustill-e1386617233520.jpg\" alt=\"Explosive-mustill\" width=\"371\" height=\"552\" class=\"aligncenter size-full wp-image-10409\" \/><\/a><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Shockumentary-5.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10403\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2005\/10\/down_with_culture_up_with_barb.html\/shockumentary-5\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Shockumentary-5.jpg\" data-orig-size=\"371,593\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Shockumentary-5\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Shockumentary-5-187x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Shockumentary-5.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Shockumentary-5.jpg\" alt=\"Shockumentary-5\" width=\"371\" height=\"593\" class=\"aligncenter size-full wp-image-10403\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Shockumentary-5.jpg 371w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/Shockumentary-5-187x300.jpg 187w\" sizes=\"auto, (max-width: 371px) 100vw, 371px\" \/><\/a><center><font size=1>Used by permission. &#8220;A Shockumentary&#8221; &#169; 1969 by Norman O. Mustill<\/font><\/center><\/p>\n<p><i>&#8212; Tireless Staff of Thousands<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Little Nemo&#8217;s back in business. Well, Norman Ogue Mustill once wrote a satirical comic strip with his Exacto blade, and it wasn&#8217;t made for Slumberland or Sundays. He called it &#8220;A Shockumentary,&#8221; and we published it as the second half of his pamphlet, Nova Broadcast pamphlets. The time was 1969. The place was San Francisco. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1284","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-kI","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1284"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1284\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}