{"id":12803,"date":"2014-04-28T11:40:41","date_gmt":"2014-04-28T15:40:41","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=12803"},"modified":"2014-05-06T22:16:23","modified_gmt":"2014-05-07T02:16:23","slug":"new-from-cold-turkey-press-remembering-harold-pinter","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2014\/04\/new-from-cold-turkey-press-remembering-harold-pinter.html","title":{"rendered":"New from Cold Turkey Press: Remembering Pinter"},"content":{"rendered":"

<\/a><\/a><\/p>\n

Heathcote Williams’s memory piece about Harold Printer is intimate, probing, and dramatic. Candid yet loving, not out of mere affection but from deep understanding and acceptance, it is an honest portrait — not in the least hagiographic.<\/p>\n

Previously posted: Pinter\u2019s \u2018Art, Truth & Politics\u2019<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Heathcote Williams’s memory piece about Harold Printer is intimate, probing, and dramatic. Candid yet loving, not out of mere affection but from deep understanding and acceptance, it is an honest portrait — not in the least hagiographic. Previously posted: Pinter\u2019s \u2018Art, Truth & Politics\u2019<\/p>\n","protected":false},"author":3,"featured_media":12802,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,23,17],"tags":[],"class_list":{"0":"post-12803","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2014\/04\/PINTER-1-e1398698571863.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-3kv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/12803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=12803"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/12803\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/12802"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=12803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=12803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=12803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}