{"id":12509,"date":"2014-04-08T11:12:44","date_gmt":"2014-04-08T15:12:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=12509"},"modified":"2014-04-08T11:33:06","modified_gmt":"2014-04-08T15:33:06","slug":"words-to-live-by","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2014\/04\/words-to-live-by.html","title":{"rendered":"Words to Live By"},"content":{"rendered":"

Bruno Monsaingeon on Sviatoslav Richter<\/strong><\/a><\/center>
\n<\/a><\/a><\/p>\n

The performing musicians with whom I have a real affinity, those who seem to me the truly important ones, are those who reach beyond the instrument they happen to play, who travel within themselves and do not just rely on the parameters of the instrument in order to express music. […] Richter is a world unto himself, impenetrable yet radiant; a deep water fish, blind but luminous. <\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Bruno Monsaingeon on Sviatoslav Richter The performing musicians with whom I have a real affinity, those who seem to me the truly important ones, are those who reach beyond the instrument they happen to play, who travel within themselves and do not just rely on the parameters of the instrument in order to express music. […]<\/p>\n","protected":false},"author":3,"featured_media":12506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":{"0":"post-12509","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2014\/04\/2-words-to-live-by.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-3fL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/12509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=12509"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/12509\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/12506"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=12509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=12509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=12509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}