{"id":1231,"date":"2005-09-11T14:45:07","date_gmt":"2005-09-11T21:45:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/09\/new_orleans_nabes\/"},"modified":"2005-09-11T14:45:07","modified_gmt":"2005-09-11T21:45:07","slug":"new_orleans_nabes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/09\/new_orleans_nabes.html","title":{"rendered":"NEW ORLEANS &#8216;NABES"},"content":{"rendered":"<p>Here&#8217;s a very stylish <a href=\"http:\/\/www.kodakgallery.com\/Slideshow.jsp?mode=fromshare&#038;Uc=14ewb3ap.b147fdut&#038;Uy=nyvoby&#038;Ux=1\" class=inline target=new\"><strong><font color=#003399> slide show<\/strong><\/font><\/a> of the deserted streets of the French Quarter and other nearly deserted downtown &#8216;nabes just before, during, and after Hurricane Katrina. It&#8217;s touristic but worth a look. The photos are not news or &#8220;newsy&#8221; &#8212; they&#8217;re &#8220;arty&#8221; portraits rather than journalistic &#8212; yet they offer specific information and bring the scenes alive.  And there must be 200 of them.<br \/>\n<i>&#8212; Tireless Staff of Thousands<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s a very stylish<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1231","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-jR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1231"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1231\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1231"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}