{"id":1218,"date":"2005-09-02T09:19:09","date_gmt":"2005-09-02T16:19:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/09\/blah_blah_blah\/"},"modified":"2005-09-02T09:19:09","modified_gmt":"2005-09-02T16:19:09","slug":"blah_blah_blah","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/09\/blah_blah_blah.html","title":{"rendered":"BLAH BLAH BLAH"},"content":{"rendered":"<p><I><STRONG>THE BULLSHITTER SPEAKS<\/strong><br \/>\n&#8220;Katrina&#8217;s dealt the Delta folks<br \/>\nA blow that&#8217;s mighty darn unhealthy,<br \/>\nSo I&#8217;m calling for further sacrifice:<br \/>\nAnother tax cut for the wealthy.&#8221;<br \/>\n&#8212; <A HREF=\"http:\/\/www.artsjournal.com\/herman\/archives\/2004\/04\/hes_our_calvin.html\" class=inline target=new\"><strong><font color=#003399>Leon Freilich<\/strong><\/font><\/i><\/a><br \/>\n<img loading=\"lazy\" decoding=\"async\" alt=\"bullshit protector.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/archives\/bullshit%20protector.jpg\" width=\"240\" height=\"313\" \/><br \/>\nBill Moyer, 73, wears a &#8220;Bullshit Protector&#8221; flap over his ear while the Bullshitter-in-Chief addresses the Veterans of Foreign Wars. (AP Photo\/Douglas C. Pizac)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE BULLSHITTER SPEAKS &#8220;Katrina&#8217;s dealt the Delta folks A blow that&#8217;s mighty darn unhealthy, So I&#8217;m calling for further sacrifice: Another tax cut for the wealthy.&#8221; &#8212;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1218","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-jE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1218"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1218\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}