{"id":11928,"date":"2014-02-17T18:06:19","date_gmt":"2014-02-17T23:06:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=11928"},"modified":"2014-02-17T18:06:19","modified_gmt":"2014-02-17T23:06:19","slug":"two-new-poster-cards-from-cold-turkey-press","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2014\/02\/two-new-poster-cards-from-cold-turkey-press.html","title":{"rendered":"Two New Poster Cards from Cold Turkey Press"},"content":{"rendered":"

An Iron Fish Rusts<\/strong><\/font><\/p>\n

up in the hills at this age now
\neven my stick takes a rest
\n*
\non a tarmac a single stone
\nlike aloneness
\n*
\nin the glen the silence of an echo
\nwaiting for sound
\n*
\nin the empty sky a crow crows
\nthe empty sound of a crow<\/center><\/p><\/blockquote>\n

\"'An<\/a><\/p>\n

<\/a><\/p>\n

According to Dr. Philip Masonbar, noted pathologist and jetset raconteur, The Condition was originally described in 1895 by Sir Arthur Blonk. As an afterthought, Blonk said: “Going to decimate San Francisco? Then you must withhold the admission, or prepare to lay aside through strict quarantine all shipping of your irridescent mediocrity.” On which they had embarked. Thus, from San Francisco to the farthest capitals of the Occident, they saw take hold The Condition in all its ugly and irrefutable proportions.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Just in: ‘An Iron Fish Rusts’ and ‘The Condition’<\/p>\n","protected":false},"author":3,"featured_media":11927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18],"tags":[],"class_list":{"0":"post-11928","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2014\/02\/IRON-FISH-RUSTS-Ritchie-1x-e1392677133235.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-36o","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/11928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=11928"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/11928\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/11927"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=11928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=11928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=11928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}