{"id":1152,"date":"2005-06-22T11:46:39","date_gmt":"2005-06-22T18:46:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/06\/kill_bill_the_latest_version\/"},"modified":"2005-06-22T11:46:39","modified_gmt":"2005-06-22T18:46:39","slug":"kill_bill_the_latest_version","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/06\/kill_bill_the_latest_version.html","title":{"rendered":"KILL BILL,  THE LATEST VERSION"},"content":{"rendered":"<p><P><IMG src=\"http:\/\/www.artsjournal.com\/herman\/images\/MoyersB5-16.jpg\" width=90\nalign=right border=0><\/A>The demonization of Bill Moyers is not limited to conservative<br \/>\nvenues. It also finds a warm, comfy outlet on supposedly liberal PBS. George Neumayr, executive<br \/>\neditor of the hardline right-wing American Spectator Magazine, was given ample time last night<br \/>\nto <A class=inline href=\"http:\/\/www.pbs.org\/newshour\/bb\/media\/jan-june05\/cpb_6-21.html\"\ntarget='new\"'><B><FONT color=#003399>spew his venom<\/B><\/FONT><\/A> on PBS&#8217;s<br \/>\nNewsHour in a softball interview with Jeffrey Brown. But that&#8217;s the least of it. <\/P><br \/>\n<P>Kenneth Tomlinson, head of the Corporation for Public Broadcasting, is on a mission to<br \/>\ndestroy PBS by targeting Moyers and &#8220;Now,&#8221; his former program, with outright lies. <A\nclass=inline\nhref=\"http:\/\/www.nytimes.com\/2005\/06\/22\/national\/22broadcast.html?pagewanted=all\"\ntarget='new\"'><B?<FONT color=\"#003399\"><STRONG><FONT color=#003399>&#8220;Evidence<br \/>\n[has] surfaced&#8221;<\/B><\/FONT><\/FONT><\/STRONG><\/A> indicating he dissembled at best when<br \/>\nhe claimed that former CPB President Kathleen Cox &#8220;approved and signed&#8221; a contract to hire<br \/>\nsomeone &#8220;to monitor the political leanings&#8221; of the the guests who appeared on &#8220;Now.&#8221; This<br \/>\nmorning&#8217;s New York Times reports that &#8220;a copy of the contract &#8230; shows that Mr. Tomlinson<br \/>\nsigned it on Feb. 3, 2004, five months before Ms. Cox became president.&#8221; <\/P><br \/>\n<P>Confronted with &#8220;the apparent discrepancy&#8221; between the contract and what he claimed in a<br \/>\nletter to Senator Byron L. Dorgan, Tomlinson had no comment. &#8220;If he signed the contract, he was<br \/>\nnot telling the truth, which would be very troubling,&#8221; Dorgan told the Times. &#8220;He&#8217;s trying to pawn<br \/>\nsome responsibility for this on others, which is very troubling. This guy has some real credibility<br \/>\nproblems.&#8221; Lies are the default setting for the Bush White House and its minions. (It&#8217;s not Moyers<br \/>\nbeing demonized in the campaign against him and PBS, Neumayr told Brown on the NewsHour,<br \/>\nit&#8217;s Tomlinson who is the target of &#8220;a ridiculous smear &#8230; for simply doing his job.&#8221;)<\/P><br \/>\n<P><\/P><br \/>\n<P>I&#8217;ve written before about Moyers, more than half a dozen times. A year ago, I said his speech<br \/>\non truth and journalism at the first National Conference on Media Reform in May 2004 is <A\nclass=inline href=\"http:\/\/www.artsjournal.com\/herman\/archives20040601.shtml#80094\"\ntarget='new\"'><FONT color=#003399><B>&#8220;what gets me up in the<br \/>\nmorning.&#8221;<\/B><\/FONT><\/A> He said then that &#8220;our democracy is in danger of being paralyzed.&#8221;<br \/>\nHis speech to the second conference last month was <A class=inline\nhref=\"http:\/\/www.commondreams.org\/views05\/0516-34.htm\" target='new\"'><B><FONT\ncolor=#003399>another eye-opener<\/B><\/FONT><\/A>. Since then the danger has increased.<br \/>\nYou can <A class=inline href=\"http:\/\/www.democracynow.org\/article.pl?sid=05\/06\/22\/1347234\"\ntarget='new\"'><FONT color=#003399><B>see why<\/B><\/FONT><\/A><\/B><\/FONT><\/A> on<br \/>\nthis morning&#8217;s Democracy Now! <STRONG> <\/STRONG>&#8220;I don&#8217;t want to make any easy<br \/>\ncomparisons, but I do sense that there is a desire to silence any dissent in this country by the<br \/>\nadministration,&#8221; Moyers said.<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>They practice extraordinary media manipulation. They&#8217;re the most secretive<br \/>\nadministration in my 70 years. And this whole attack on me is indicative of how when anyone<br \/>\nrises up to speak an alternative truth, an alternative vision of reality, they try to discredit them. &#8230;<br \/>\nI&#8217;m targeted because my reporting on &#8220;Now&#8221; was telling the stories that they didn&#8217;t want told<br \/>\nabout secrecy in government, about Cheney&#8217;s energy task forces, about a cover up at the<br \/>\nDepartment of Interior, about the relationship between business, corporations, and the<br \/>\nadministration. We were reporting what good muckraking journalism always reports, and they<br \/>\ndon&#8217;t like that. So that&#8217;s why they&#8217;ve singled me out.<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>Public broadcasting has &#8220;to get back to the revolutionary spirit of dissent and courage&#8221; that<br \/>\ninspired it &#8220;in the first place,&#8221; Moyer noted, &#8220;and this country does, too.&#8221; So <A class=inline\nhref=\"http:\/\/www.freepress.net\/publicbroadcasting\" target='new\"'><FONT\ncolor=#003399><B>inform yourself and do something<\/B><\/FONT><\/A>. In a mammoth essay<br \/>\npublished Monday in The Washington Post, a version of which is <A class=inline\nhref=\"http:\/\/www.freepress.net\/news\/8639\" target='new\"'><FONT color=#003399><B>online<br \/>\nhere<\/B><\/FONT><\/A>, Moyers also laid out the assumptions on which PBS was founded. Read<br \/>\nthem. And if you&#8217;re at all interested in previous Straight Up posts about &#8220;Exhibit A&#8221; of PBS&#8217;s<br \/>\nso-called liberal agenda (Neumayr&#8217;s term for him), here are some of them: <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20041201.shtml#93227\"\ntarget='new\"'><FONT color=#003399><B>Moyers Moves On<\/B><\/FONT><\/A>, <A\nclass=inline href=\"http:\/\/www.artsjournal.com\/herman\/archives20041201.shtml#93230\"\ntarget='new\"'><FONT color=#003399><B>Hanging in With George<\/B><\/A><\/FONT>, <A\nclass=inline href=\"http:\/\/www.artsjournal.com\/herman\/archives20041201.shtml#93465\"\ntarget=new><FONT color=#003399><B>Fine Tuning<\/B><\/FONT><\/A> and <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20041201.shtml#93575\"\ntarget='new\"'><FONT color=#003399><B>Departing Words<\/FONT><\/B><\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The demonization of Bill Moyers is not limited to conservative venues. It also finds a warm, comfy outlet on supposedly liberal PBS. George Neumayr, executive editor of the hardline right-wing American Spectator Magazine, was given ample time last night to spew his venom on PBS&#8217;s NewsHour in a softball interview with Jeffrey Brown. But that&#8217;s [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1152","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-iA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1152"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1152\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}