{"id":1132,"date":"2005-06-09T09:12:09","date_gmt":"2005-06-09T16:12:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/06\/nothing_stable_nothing_endurin\/"},"modified":"2005-06-09T09:12:09","modified_gmt":"2005-06-09T16:12:09","slug":"nothing_stable_nothing_endurin","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/06\/nothing_stable_nothing_endurin.html","title":{"rendered":"NOTHING STABLE, NOTHING ENDURING, NOTHING INSIDE"},"content":{"rendered":"<p><P>I recommend this <A class=inline\nhref=\"http:\/\/www.newstatesman.com\/Bookshop\/300000098646\" target='new\"'><B><FONT\ncolor=#003399>book review<\/FONT><\/B><\/A> by my favorite aphorist, the <A class=inline\nhref=\"http:\/\/www.selvesandothers.org\/view605.html\" target='new\"'><B><FONT\ncolor=#003399>British philosopher John Gray<\/FONT><\/B><\/A>, although he is not<br \/>\naphorizing, as he does in his own books (such as <A class=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/1862075964\/qid=1118324312\/sr=2-1\/ref=pd_\nbbs_b_2_1\/002-0820780-0660049\" target='new\"'><B><FONT color=#003399>&#8220;Straw Dogs:<br \/>\nThoughts on Humans and Other Animals&#8221;<\/FONT><\/B><\/A> or <A class=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/1565848055\/qid=1118324220\/sr=2-1\/ref=pd_\nbbs_b_2_1\/002-0820780-0660049\" target='new\"'><B><FONT color=#003399>Al Qaeda and<br \/>\nWhat It Means to Be Modern.&#8221;<\/FONT><\/B><\/A> <\/P><br \/>\n<P><IMG src=\"http:\/\/www.artsjournal.com\/herman\/images\/IDEAScover.jpg\" width=100\nalign=right border=0><\/A>Gray points to a key question of Peter Watson&#8217;s new book <A\nclass=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/006621064X\/qid=1118324485\/sr=2-1\/ref=pd_\nbbs_b_2_1\/002-0820780-0660049\" target='new\"<b'><STRONG><FONT\ncolor=#003399>&#8220;Ideas: From Fire to Freud,&#8221;<\/B><\/FONT><\/STRONG><\/A> which he calls &#8220;an<br \/>\nastonishing overview of human intellectual development,&#8221; covering &#8220;everything from the<br \/>\nemergence of language to the discovery of the unconscious, including the idea of the factory and<br \/>\nthe invention of America, the eclipse of the idea of the soul in 19th-century materialism and the<br \/>\ncontinuing elusiveness of the self.&#8221; <\/P><br \/>\n<P>The key question it asks, Gray says, is &#8220;whether the very idea of an &#8216;inner self&#8217; may not be<br \/>\nmisconceived,&#8221; and answers:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>Looking &#8220;in&#8221;, we have found nothing &#8212; nothing stable anyway, nothing<br \/>\nenduring, nothing we can all agree upon, nothing conclusive &#8212; because there is nothing to<br \/>\nfind.<\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>I couldn&#8217;t agree more. To shift context, Dear Leader of these United States &#8212; he of the <A\nclass=inline\nhref=\"http:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2005\/06\/04\/AR2005060401506.ht\nml\" target='new\"'><STRONG><FONT color=#003399>inflated<br \/>\nemptiness<\/FONT><\/STRONG><\/A> &#8212; is the most obvious example, a perfect illustration of<br \/>\n&#8220;nothing enduring,&#8221; the nothing inside.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I recommend this book review by my favorite aphorist, the British philosopher John Gray, although he is not aphorizing, as he does in his own books (such as &#8220;Straw Dogs: Thoughts on Humans and Other Animals&#8221; or Al Qaeda and What It Means to Be Modern.&#8221; Gray points to a key question of Peter Watson&#8217;s [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1132","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-ig","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1132"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1132\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}