{"id":1124,"date":"2005-05-31T08:49:22","date_gmt":"2005-05-31T15:49:22","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/05\/deep_and_deeper\/"},"modified":"2005-05-31T08:49:22","modified_gmt":"2005-05-31T15:49:22","slug":"deep_and_deeper","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/05\/deep_and_deeper.html","title":{"rendered":"DEEP AND DEEPER"},"content":{"rendered":"

The Washington Post confirms that former FBI agent Mark Felt was the source<\/FONT><\/B><\/A> for
\nleaked secrets about Nixon’s Watergate coverup.
\n

<\/P>
\n

Waving the Flog<\/B><\/P>
\n

Now that Deep Throat’s blown his cover,
Eliminating every maybe,
The only
\nquestion still remaining
Is what to make of Barbara’s Baby.<\/P>
\n

<\/P>
\n

His devil daddy showed him how
To steal the White House like a thief,
So why’d
\nthe baby move to Gitmo
To be torturer-in-chief?

— Leon Freilich<\/FONT><\/I><\/B><\/A><\/P>And by
\nthe way, history just trashed Leonard Garment’s theory<\/FONT><\/B><\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Washington Post confirms that former FBI agent Mark Felt was the source for leaked secrets about Nixon’s Watergate coverup. Waving the Flog Now that Deep Throat’s blown his cover,Eliminating every maybe,The only question still remainingIs what to make of Barbara’s Baby. His devil daddy showed him howTo steal the White House like a thief,So […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1124","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-i8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1124"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1124\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}