{"id":1122,"date":"2005-05-27T11:03:57","date_gmt":"2005-05-27T18:03:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/05\/call_the_ombudsman\/"},"modified":"2005-05-27T11:03:57","modified_gmt":"2005-05-27T18:03:57","slug":"call_the_ombudsman","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/05\/call_the_ombudsman.html","title":{"rendered":"CALL THE OMBUDSMAN"},"content":{"rendered":"

A case of plagiarism! <\/P>
\n


\n

May 20:<\/B> “One day historians will ask how we stood by and let this
\nhappen.”
— Straight Up<\/FONT><\/B><\/A><\/I>
\n

<\/P>
\n

May 26:<\/B> “When future historians look back on this period, they will wonder, most
\nof all, I think, how we let it go without a fight.”
— Altercation<\/FONT><\/I><\/B><\/A><\/P><\/BLOCKQUOTE>
\n

<\/P>
\n

Talk about plagiarism, how about this? <\/P>
\n

If Pat Buchanan wasn’t against the war before, he sure is
\nnow<\/FONT><\/B><\/A> (a k a “The Sexiest Man Alive”). My apology to Matt Haber at Low
\nCulture<\/FONT><\/B><\/A>. The staff just went and grabbed it for the usual reason: “It was too
\ngood to pass up.”
\n

Something else the staff couldn’t pass up:
\n

<\/A><\/P>
\n

And the latest from Boot Hill<\/FONT><\/B><\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"

A case of plagiarism! May 20: “One day historians will ask how we stood by and let this happen.”— Straight Up May 26: “When future historians look back on this period, they will wonder, most of all, I think, how we let it go without a fight.”— Altercation Talk about plagiarism, how about this? If […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1122","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-i6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1122"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1122\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}