{"id":1110,"date":"2005-05-07T01:05:48","date_gmt":"2005-05-07T08:05:48","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/05\/gunter_grass_still_beats_the_d\/"},"modified":"2005-05-07T01:05:48","modified_gmt":"2005-05-07T08:05:48","slug":"gunter_grass_still_beats_the_d","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/05\/gunter_grass_still_beats_the_d.html","title":{"rendered":"GUNTER GRASS STILL BEATS THE DRUM 60 YEARS LATER"},"content":{"rendered":"<p><IMG src=\"http:\/\/www.artsjournal.com\/herman\/images\/gunterGRASSphoto.jpg\" width=150\nalign=right border=0><\/A>Speaking of things German, like the <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20050501.shtml#99852\"\ntarget='new\"'><B><FONT color=#003399>Berlin Holocaust Memorial<\/FONT><\/B><\/A> &#8230;<br \/>\nNobel laureate Gunter Grass has much to say about <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2005\/05\/07\/opinion\/07grass.html\" target='new\"'><B><FONT\ncolor=#003399>democracy, freedom and capitalism<\/FONT><\/B><\/A> in post-World War II<br \/>\nGermany on the occasion of the &#8220;Reich&#8217;s unconditional surrender&#8221; 60 years ago tomorrow:<br \/>\n<P><\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>[T]he ring of lobbyists with their multifarious interests &#8230; constricts and<br \/>\ninfluences the Federal Parliament and its democratically elected members, placing them under<br \/>\npressure and forcing them into disharmony, even when framing and deciding the content of laws.<br \/>\nConsequently, Parliament is no longer sovereign in its decisions. It is steered by the banks and<br \/>\nmultinational corporations &#8212; which are not subject to any democratic control.<br \/>\n<P><\/P><br \/>\n<P>What&#8217;s needed is a democratic desire to protect Parliament against the pressures of the<br \/>\nlobbyists by making it inviolable. But are our Parliamentarians still sufficiently free to make a<br \/>\ndecision that would bring radical democratic constraint? Or is our freedom now no more than a<br \/>\nstock market profit?<\/P><\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P><\/P><br \/>\n<P>Sound familiar? Substitute &#8220;U.S. Congress&#8221; for &#8220;Federal Parliament,&#8221; and &#8220;Congressmen and<br \/>\nwomen&#8221; for &#8220;Parliamentarians,&#8221; and you&#8217;d think Grass was writing about the United States. He&#8217;s<br \/>\nnot of course. His essay mainly concerns the as yet unbridgeable divide that still exists between<br \/>\nEast and West Germans.<\/P><br \/>\n<P>But when it comes to corporate influence, lobbyists and the corruption of democracy by<br \/>\nunrestrained capitalism, Grass might as well be writing about us. The Web cover line for the<br \/>\nessay, which appears on today&#8217;s New York Times op-ed page, is: &#8220;After 60 years, Germans still<br \/>\nhaven&#8217;t learned to be free.&#8221; It&#8217;s too bad the same may be said for Americans after more than 200<br \/>\nyears.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Speaking of things German, like the Berlin Holocaust Memorial &#8230; Nobel laureate Gunter Grass has much to say about democracy, freedom and capitalism in post-World War II Germany on the occasion of the &#8220;Reich&#8217;s unconditional surrender&#8221; 60 years ago tomorrow: [T]he ring of lobbyists with their multifarious interests &#8230; constricts and influences the Federal Parliament [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1110","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-hU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1110"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1110\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}