{"id":1096,"date":"2005-05-03T11:22:31","date_gmt":"2005-05-03T18:22:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/05\/puffery_of_the_corporate_class\/"},"modified":"2005-05-03T11:22:31","modified_gmt":"2005-05-03T18:22:31","slug":"puffery_of_the_corporate_class","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/05\/puffery_of_the_corporate_class.html","title":{"rendered":"PUFFERY OF THE CORPORATE CLASS"},"content":{"rendered":"<p>Taken from yesterday&#8217;s postscripts: Last time I looked, MSNBC.com was still using words &#8212;<br \/>\nmostly AP&#8217;s and Reuters&#8217;s, when not tapping into The Washington Post&#8217;s and Newsweek&#8217;s or<br \/>\nForbes&#8217;s and Businessweek&#8217;s. To believe <A class=inline\nhref=\"http:\/\/www.marketwatch.com\/news\/story.asp?page=1&#038;guid={1868DF30-8007-411A-91F\n9-F389437697A9}&#038;siteid=mktw\" target='new\"'><B><FONT color=#003399>Jon Friedman&#8217;s<br \/>\npuff piece<\/FONT><\/B><\/A>, however, you&#8217;d think not. You&#8217;d think MSNBC.com had<br \/>\nre-invented journalism &#8220;by using resources other than mere words and still photos.&#8221;<br \/>\n<P><\/P><br \/>\n<P>The site has been pushing that PR line for years. Friedman is just sucker enough to fall for it.<br \/>\nThe top editor tells him, &#8220;We have a lot of tools in our toolbox for telling a story.&#8221; But reporters<br \/>\nand original reporting &#8212; what real journalism is all about &#8212; don&#8217;t count for much in that toolbox,<br \/>\nsince MSNBC.com is mainly a glorified content aggregator. Friedman has nothing to say about<br \/>\nthat except some hooey on being &#8220;liberated from old-fashioned journalism&#8217;s usual<br \/>\nlimitations.&#8221;<\/P><br \/>\n<P>A photo is worth at least several thousand words, says Leon <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20040401.shtml#76400\"\ntarget='new\"'><B><FONT color=#003399>(&#8220;He&#8217;s Our Calvin Trillin&#8221;)<\/FONT><\/B><\/A><br \/>\nFreilich:<\/P><br \/>\n<P><EM><STRONG>CHEZ MSNBC<\/STRONG><\/EM><BR><BR><EM>Words<BR>Are<br \/>\nfor the birds.<BR>Photos<BR>Are graphic grab-alls that tell a story with enough color, shading,<br \/>\ndesign, depth of field and harmony, all achieved on the cheap, to mesmerize, both within and<br \/>\nwithout Kansas, discerning canine buddies of Toto&#8217;s.<\/EM><\/P><br \/>\n<P>And a reader sends this message as a memo to the MSNBC.com honchos:<\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>Take it from the aggrieved remark of Oscar Hammerstein&#8217;s wife: &#8220;Richard<br \/>\nRogers didn&#8217;t write &#8216;Some Enchanted Evening.&#8217; He wrote &#8216;La la la la la la.&#8217; Nice, but not the same<br \/>\nthing.&#8221;<\/BLOCKQUOTE><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taken from yesterday&#8217;s postscripts: Last time I looked, MSNBC.com was still using words &#8212; mostly AP&#8217;s and Reuters&#8217;s, when not tapping into The Washington Post&#8217;s and Newsweek&#8217;s or Forbes&#8217;s and Businessweek&#8217;s. To believe Jon Friedman&#8217;s puff piece, however, you&#8217;d think not. You&#8217;d think MSNBC.com had re-invented journalism &#8220;by using resources other than mere words and [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1096","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-hG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1096"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1096\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}