{"id":1093,"date":"2005-04-03T12:21:44","date_gmt":"2005-04-03T19:21:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/04\/malcolm_gladwell_blinks_at_abb\/"},"modified":"2023-11-23T14:56:11","modified_gmt":"2023-11-23T19:56:11","slug":"malcolm_gladwell_blinks_at_abb","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/04\/malcolm_gladwell_blinks_at_abb.html","title":{"rendered":"MALCOLM GLADWELL BLINKS AT ABBIE CONANT"},"content":{"rendered":"<p>By Jan Herman<\/p>\n<p>If <a href=\"http:\/\/www.gladwell.com\">Malcolm Gladwell<\/a> had written about you in his latest best seller, <em><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/0316172324\/qid=1112543537\/sr=2-1\/ref=pd_ bbs_b_2_1\/102-4832371-2578569\">Blink: The Power of Thinking Without Thinking<\/a>,<\/em> you&#8217;d probably know it in a New York minute. If you were Abbie Conant, who is the subject of the book&#8217;s final chapter, you wouldn&#8217;t.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/herman\/images\/gladwell184.jpg\" width=\"140\" align=\"right\" border=\"0\"> When pressed, Conant recalls speaking with Gladwell (right) by phone. But she lives in Germany and had only a vague idea of who he was. She didn&#8217;t subscribe to The New Yorker, where he&#8217;s a staff writer, and hadn&#8217;t read <em><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/0316346624\/qid=1112543537\/sr=2-2\/ref=pd_ bbs_b_2_2\/102-4832371-2578569\">The Tipping Point: How Little Things Can Make a Big Difference<\/a>,<\/em> his previous best seller.<\/p>\n<p>It took an old friend she knew from Colorado, now a research librarian at Fortune magazine in New York, to break the news to her long after <em>Blink<\/em> had soared to <a href=\"http:\/\/www.nytimes.com\/2005\/04\/10\/books\/bestseller\/0410besthardnonfiction.html?\">No. 1<\/a> on The New York Times Hardcover Nonfiction list. (It&#8217;s been on the list for 11 weeks, No. 1 for most of them.)<\/p>\n<p>&#8220;I hadn&#8217;t read anything more than a few blurbs about the book,&#8221; says Susan Kaufman, recalling Gladwell&#8217;s appearance a while ago at a meeting of the Special Libraries Association. &#8220;He was a big draw. The place was packed. It was not the usual.&#8221; Gladwell told the librarians he wasn&#8217;t going to read from his book. &#8220;He said, &#8220;I think it&#8217;s better if I tell you a story,'&#8221; Kaufman recalls. &#8220;And then he proceeded to say there was this musician in Germany, and he said her name. It was such an odd thing. Abbie hadn&#8217;t ever mentioned that he had spoken to her for the book. He went on and on.&#8221;<\/p>\n<p>Kaufman (a violist) and Conant (a trombonist) met in the late &#8217;70s when they&#8217;d played together in the Colorado Philharmonic, a training orchestra. Though they went their separate ways afterward &#8212; Kaufman, who had graduated from Barnard, entered Columbia&#8217;s library school and took up a research career; Conant graduated from the University of New Mexico and Juilliard into an orchestra career in Turin and Munich and is now a trombone professor &#8212; they&#8217;d always kept in touch.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/herman\/2022\/06\/a-solo-among-men.html\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"51530\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2005\/04\/malcolm_gladwell_blinks_at_abb.html\/abbie-conant-video-750-2\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/06\/abbie-conant-VIDEO-750-.jpg\" data-orig-size=\"750,551\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"abbie conant VIDEO (750)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/06\/abbie-conant-VIDEO-750--300x220.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/06\/abbie-conant-VIDEO-750-.jpg\" class=\"size-medium wp-image-51530 alignleft\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/06\/abbie-conant-VIDEO-750--300x220.jpg\" alt=\"\" width=\"300\" height=\"220\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/06\/abbie-conant-VIDEO-750--300x220.jpg 300w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/06\/abbie-conant-VIDEO-750-.jpg 750w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>After Gladwell&#8217;s lecture, Kaufman says, &#8220;I ran up to the front and told him it just so happens I&#8217;m a good friend of Abbie&#8217;s. He kind of looked up. &#8216;Say hello to her,&#8217; he said. &#8230; And he signed a book for her, &#8216;To my inspiration.&#8217; The funny thing, if I had mentioned this to any of my colleagues there, nobody would have believed it.&#8221;<\/p>\n<p>Here&#8217;s the <a href=\"http:\/\/www.nytimes.com\/2005\/01\/16\/books\/chapters\/0116books-1st-gladw.html?ex=11126 73600&amp;en=8b9460687a8f278f&amp;ei=5070\">first chapter<\/a> of <em>Blink.<\/em> As for the final chapter, Gladwell credits Conant&#8217;s husband, composer and musicologist William Osborne, with the <a href=\"http:\/\/www.osborne-conant.org\/ladies.htm\">most complete version<\/a> of her amazing story. He recounts and analyzes the discrimination she faced after she won <a href=\"https:\/\/www.artsjournal.com\/herman\/2022\/06\/a-solo-among-men.html\">a blind audition, besting 32 male candidates<\/a>, for principle trombonist in the Munich Philharmonic.<\/p>\n<p>&#8220;When she stepped from behind the audition screen, the orchestra was shocked,&#8221; Osborne explains. &#8220;It is a case study perfectly suited to the thesis of Gladwell&#8217;s book.&#8221; Now have a listen to <a href=\"http:\/\/www.osborne-conant.org\/Leonore.htm\">Conant performing &#8220;Leonore,&#8221;<\/a> a music theater piece he and Conant wrote in reaction to her experiences in the Munich Philharmonic.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Jan Herman If Malcolm Gladwell had written about you in his latest best seller, Blink: The Power of Thinking Without Thinking, you&#8217;d probably know it in a New York minute. If you were Abbie Conant, who is the subject of the book&#8217;s final chapter, you wouldn&#8217;t. When pressed, Conant recalls speaking with Gladwell (right) [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":{"0":"post-1093","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-hD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1093"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1093\/revisions"}],"predecessor-version":[{"id":58808,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1093\/revisions\/58808"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}