{"id":1070,"date":"2005-03-08T12:01:19","date_gmt":"2005-03-08T20:01:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/03\/times_online_tease\/"},"modified":"2005-03-08T12:01:19","modified_gmt":"2005-03-08T20:01:19","slug":"times_online_tease","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/03\/times_online_tease.html","title":{"rendered":"TIME’S ONLINE TEASE"},"content":{"rendered":"

Finally something worth reading in TIME magazine. Have a look at this week’s cover<\/FONT> package<\/FONT><\/B><\/A>. It’s a
\nstory by Jeffrey Sachs, “The End of Poverty,”<\/FONT><\/B><\/A> excerpted from his forthcoming
\nbook. But wouldn’t you know it? TIME offers a mere online tease. Access to the complete story
\nis limited to the magazine’s subscribers. Sachs is trying to raise money for
\nthe hundreds of millions of people — the world’s poorest — who subsist on less than a
\ndollar a day. You’d think TIME would have done the right thing, given the subject,
\nand opened free access to that story at least. It would have been the
\nsmart thing, too.<\/p>\n","protected":false},"excerpt":{"rendered":"

Finally something worth reading in TIME magazine. Have a look at this week’s cover package. It’s a story by Jeffrey Sachs, “The End of Poverty,” excerpted from his forthcoming book. But wouldn’t you know it? TIME offers a mere online tease. Access to the complete story is limited to the magazine’s subscribers. Sachs is trying to […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1070","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-hg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1070"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1070\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}