{"id":1059,"date":"2005-02-28T10:18:55","date_gmt":"2005-02-28T18:18:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/02\/notes_from_the_surface\/"},"modified":"2005-02-28T10:18:55","modified_gmt":"2005-02-28T18:18:55","slug":"notes_from_the_surface","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/02\/notes_from_the_surface.html","title":{"rendered":"NOTES FROM THE SURFACE"},"content":{"rendered":"<p><P>James Wolcott puts it aptly in <A class=inline\nhref=\"http:\/\/jameswolcott.com\/archives\/2005\/02\/lipstick_fascis.php\" target='new\"'><B><FONT\ncolor=#003399>LIPSTICK FASCISM<\/FONT><\/B><\/A>: &#8220;Conservatism and sadism have<br \/>\nbecome indivisible.&#8221; (The stimulus is <A class=inline\nhref=\"http:\/\/www.editorandpublisher.com\/eandp\/news\/article_display.jsp?vnu_content_id=10008\n18305\" target='new\"'><B><FONT color=#003399>Ann Coulter&#8217;s comment<\/FONT><\/B><\/A><br \/>\nin re: Gannon\/Guckert: &#8220;Press passes can&#8217;t be that hard to come by if the White House allows that<br \/>\nold Arab Helen Thomas to sit within yards of the president.&#8221;) Meantime, Bob Herbert reminds us<br \/>\nthis morning in his column: <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2005\/02\/28\/opinion\/28herbert.html?hp\"\ntarget='new\"'><B><FONT color=#003399>&#8220;It&#8217;s Called Torture.&#8221;<\/FONT><\/B><\/A><\/P><br \/>\n<P>I&#8217;m a great admirer of Louis Menand&#8217;s take on things &#8212; usually. This morning I&#8217;m not so crazy<br \/>\nabout <A class=inline\nhref=\"http:\/\/www.newyorker.com\/talk\/content\/index.ssf?050307ta_talk_menand\"\ntarget='new\"'><B><FONT color=#003399>his lukewarm take on Hunter S.<br \/>\nThompson<\/FONT><\/B><\/A><FONT color=#003399> <\/FONT>in the New Yorker, but I can<br \/>\nlive with it. Not so with Stephen Schwartz&#8217;s <A class=inline\nhref=\"http:\/\/www.weeklystandard.com\/Utilities\/printer_preview.asp?idArticle=5274&#038;R=C42E2B\n82\" target='new\"'><B><FONT color=#003399>hatchet job<\/FONT><\/B><\/A> in The Weekly<br \/>\nStandard, which is something else entirely. It concludes: Thompson &#8220;was flattered to be described<br \/>\nas chronicler of &#8216;the death of the American dream.&#8217; In reality, he described a nightmare from which<br \/>\nAmerica awoke years ago.&#8221; <\/P><br \/>\n<P>Well, Schwartz must still be having nightmares. I remember him as a teenage freak who used<br \/>\nto come into the City Lights Bookstore in 1966 and &#8217;67, spouting Surrealist doctrine and<br \/>\ndeclaring himself the San Francisco incarnation of a Surrealist movement that didn&#8217;t exist. His<br \/>\nfreakishness consisted of a three-piece suit, not some hippie garb, the intense babble of an<br \/>\nacademic proselyte and a self-regard bordering on the autistic. (He eventually converted to<br \/>\nSufism.) He was wrong then. He&#8217;s wrong now. And my bet is he&#8217;ll always be wrong.<\/P><br \/>\n<P><B>Postscript:<\/B> If you cared about last night&#8217;s Oscars show, here&#8217;s <A class=inline\nhref=\"http:\/\/www.ryan-mcgee.com\/movable\/archives\/001761.html\" target='new\"'><B><FONT\ncolor=#003399>why you shouldn&#8217;t have<\/FONT><\/B><\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>James Wolcott puts it aptly in LIPSTICK FASCISM: &#8220;Conservatism and sadism have become indivisible.&#8221; (The stimulus is Ann Coulter&#8217;s comment in re: Gannon\/Guckert: &#8220;Press passes can&#8217;t be that hard to come by if the White House allows that old Arab Helen Thomas to sit within yards of the president.&#8221;) Meantime, Bob Herbert reminds us this [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1059","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-h5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1059"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1059\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}