{"id":1052,"date":"2005-03-04T10:46:50","date_gmt":"2005-03-04T18:46:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2005\/03\/funk_and_loathing\/"},"modified":"2005-03-04T10:46:50","modified_gmt":"2005-03-04T18:46:50","slug":"funk_and_loathing","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2005\/03\/funk_and_loathing.html","title":{"rendered":"FUNK AND LOATHING"},"content":{"rendered":"<p>Frank Rich weighs in on Hunter S. Thompson in a column to run Sunday in the print edition of<br \/>\nThe New York Times. It&#8217;s already on the Times website <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2005\/03\/06\/arts\/06rich.html\" target='new\"'><B><FONT\ncolor=#003399>here<\/FONT><\/B><\/A>. A sample:<br \/>\n<P><\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>Read &#8220;Fear and Loathing: On the Campaign Trail &#8217;72&#8221; &#8212; the chronicle of his<br \/>\nRolling Stone election coverage &#8212; and you find that his diagnosis of journalistic dysfunction hasn&#8217;t<br \/>\naged a day: &#8220;The most consistent and ultimately damaging failure of political journalism in<br \/>\nAmerica has its roots in the clubby\/cocktail personal relationships that inevitably develop between<br \/>\npoliticians and journalists.&#8221; &#8230;<br \/>\n<P><\/P><br \/>\n<P>Thompson was out to break the mainstream media&#8217;s rules. His unruly mix of fact, opinion and<br \/>\nmasturbatory self-regard may have made him a blogger before there was an Internet, but he was a<br \/>\nblogger who had the zeal to leave home and report firsthand and who could write great sentences<br \/>\nthat made you want to savor what he found out rather than just scroll quickly through screen after<br \/>\nscreen of minutiae and rant.<\/P><\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>And since it&#8217;s funky Friday, here&#8217;s a fear-and-loathing poem by <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20040401.shtml#76400\"\ntarget='new\"'><B><FONT color=#003399>Leon Freilich<\/FONT><\/B><\/A> about <A\nclass=inline href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A5692-2005Mar3.html\"\ntarget='new\"'><B><FONT color=#003399>&#8220;the nuclear option,&#8221;<\/FONT><\/B><\/A> a<br \/>\nRepublican proposal being considered in the U.S. Senate. It&#8217;s &#8220;a legislative bomb that threatens<br \/>\nthe rights to dissent, to unlimited debate and to freedom of speech,&#8221; writes Sen. Robert Byrd, a<br \/>\nDemocrat from West Virginia who&#8217;s been around since the days of Cain and Abel.<\/P><br \/>\n<P><I><B>THE PRESIDENT SPEAKS<\/B><\/P><br \/>\n<P>The law&#8217;s the law, the Bible states,<BR>Even when it&#8217;s nuculer;<BR>The Dems are<br \/>\nanti-legality<BR>While the GOP is scrupuler.<BR><\/P><br \/>\n<P>Vox pop, from ancient times till now<BR>Reflecting the Deity,<BR>Proclaims that all the<br \/>\nDems are damned<BR>To be the minority.<BR><\/I><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frank Rich weighs in on Hunter S. Thompson in a column to run Sunday in the print edition of The New York Times. It&#8217;s already on the Times website here. A sample: Read &#8220;Fear and Loathing: On the Campaign Trail &#8217;72&#8221; &#8212; the chronicle of his Rolling Stone election coverage &#8212; and you find that [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-1052","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-gY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=1052"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/1052\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=1052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=1052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=1052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}