{"id":10440,"date":"2013-12-21T17:57:30","date_gmt":"2013-12-21T22:57:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=10440"},"modified":"2014-01-13T18:37:09","modified_gmt":"2014-01-13T23:37:09","slug":"the-red-dagger-by-heathcote-williams","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/12\/the-red-dagger-by-heathcote-williams.html","title":{"rendered":"&#8216;The Red Dagger&#8217; by Heathcote Williams"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/the-red-dagger-use-this.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10631\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2013\/12\/the-red-dagger-by-heathcote-williams.html\/the-red-dagger-use-this\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/the-red-dagger-use-this.png\" data-orig-size=\"560,327\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"The Red Dagger\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/the-red-dagger-use-this.png\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/the-red-dagger-use-this.png\" alt=\"The Red Dagger\" width=\"560\" height=\"327\" class=\"aligncenter size-full wp-image-10631\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/the-red-dagger-use-this.png 560w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/the-red-dagger-use-this-300x175.png 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/a><\/p>\n<blockquote><p>London&#8217;s symbol for the hub of global finance in the City<br \/>\n(Shown on the city&#8217;s flag to convey heraldic grandeur)<br \/>\nComes from a blood-soaked dagger that killed the rebel, Wat Tyler,<br \/>\nFor Tyler had challenged London on behalf of the poor.<\/p>\n<p>The dagger survives and is on display at Fishmonger&#8217;s Hall<br \/>\nIn the City&#8217;s secretive ministate within a state<br \/>\nAnd, like a trophy, its red silhouette is on the City&#8217;s coat-of-arms<br \/>\nAs if Tyler&#8217;s murder were something to celebrate.<\/p>\n<p>But the hundred thousand marching on London in 1381<br \/>\nWere serfs objecting to being kept as virtual slaves<br \/>\nBy the feudal equivalent of corporate power, whereby people<br \/>\nWere caught, and taxed to death just for being alive.<\/p>\n<p>A hundred thousand of those on whose exploitation<br \/>\nThe wealth of a feudal society depended:<br \/>\nFrom ploughmen, to carpenters, to cowmen, to sheepshearers<br \/>\nTrapped by a bondage that only death ended.<\/p>\n<p>So their spokesman, Wat Tyler, demanded equality,<br \/>\n&#8216;All men should be free and of one condition.&#8217;<br \/>\n&#8216;We will be free forever, our heirs and our lands.&#8217;<br \/>\nBut instead of sympathy he aroused suspicion.<\/p><\/blockquote>\n<p><center>Part 1<\/center><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/SCAiqSRofGY\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><br \/>\n<center>Part 2<\/center><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/GquSEt3kPcs\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><br \/>\n<center>Part 3<\/center><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/SPZWwatgLH8\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><br \/>\n<center>Part 4<\/center><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/rOqoQbU_9l0\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><br \/>\n<center>Part 5<\/center><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/ZtxHkm871EI\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><br \/>\n<center>Part 6<\/center><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/AC-rMxWhv4U\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><br \/>\n<center>Montage and narration by Alan Cox.<\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>London&#8217;s symbol for the hub of global finance in the City (Shown on the city&#8217;s flag to convey heraldic grandeur) Comes from a blood-soaked dagger that killed the rebel, Wat Tyler, For Tyler had challenged London on behalf of the poor. The dagger survives and is on display at Fishmonger&#8217;s Hall In the City&#8217;s secretive [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":10632,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,20,17],"tags":[],"class_list":{"0":"post-10440","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-media","9":"category-political-culture","10":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/12\/THE-RED-DAGGER-from-pdf-e1387666457636.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-2Io","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/10440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=10440"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/10440\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/10632"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=10440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=10440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=10440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}